Troya historiada en The Book of the Duchess y The House of Fame

En este trabajo propongo analizar The Book of the Duchess y The House of Fame a partir de los problemas que introduce la presencia de la historia troyana. El famoso relato está invocado a través de escenas pintadas en paredes o en ventanales, presentados como escenografía. No están incluidos para añadirles nuevas interpretaciones, ni para completar faltantes de información o conciliar versiones divergentes, sino que son utilizados para capitalizar sus resonancias como objeto cultural, incorporado a la memoria social, frente al cual Chaucer construye un universo de sentido para su propia poesía e indaga en los principios que autorizan su texto.

Troya historiada en The Book of the Duchess y The House of Fame

En este trabajo propongo analizar The Book of the Duchess y The House of Fame a partir de los problemas que introduce la presencia de la historia troyana. El famoso relato está invocado a través de escenas pintadas en paredes o en ventanales, presentados como escenografía. No están incluidos para añadirles nuevas interpretaciones, ni para completar faltantes de información o conciliar versiones divergentes, sino que son utilizados para capitalizar sus resonancias como objeto cultural, incorporado a la memoria social, frente al cual Chaucer construye un universo de sentido para su propia poesía e indaga en los principios que autorizan su texto.

Troya historiada en The Book of the Duchess y The House of Fame

En este trabajo propongo analizar The Book of the Duchess y The House of Fame a partir de los problemas que introduce la presencia de la historia troyana. El famoso relato está invocado a través de escenas pintadas en paredes o en ventanales, presentados como escenografía. No están incluidos para añadirles nuevas interpretaciones, ni para completar faltantes de información o conciliar versiones divergentes, sino que son utilizados para capitalizar sus resonancias como objeto cultural, incorporado a la memoria social, frente al cual Chaucer construye un universo de sentido para su propia poesía e indaga en los principios que autorizan su texto.

Under the sign of consumption

The series of enunciations exposed in this work attempts to establish a conceptualization of consumption in relation to the communication and reception processes of symbolic goods. In addition, it will attempt to account for some possible derivations of the problem in question. The article explores different definitions penned by diverse authors seeking to set out the essential aspects concerning the object of study Thus, consumption becomes a space within which the appropriation of material and symbolic goods, social differentiation and symbolic class distinctions, integration, communication, amongst other things, take place. Despite the fact that none can sufficiently explain all the peculiarities related to consumption practices, all offer enriching insights that help us understand the concept we are dealing with. This is why the purpose of the present formulation is to reflect from another perspective, stressing the particularisms. And, in this way, to begin to lift the veil that conceals the forces of the social matrix

Under the sign of consumption

The series of enunciations exposed in this work attempts to establish a conceptualization of consumption in relation to the communication and reception processes of symbolic goods. In addition, it will attempt to account for some possible derivations of the problem in question. The article explores different definitions penned by diverse authors seeking to set out the essential aspects concerning the object of study Thus, consumption becomes a space within which the appropriation of material and symbolic goods, social differentiation and symbolic class distinctions, integration, communication, amongst other things, take place. Despite the fact that none can sufficiently explain all the peculiarities related to consumption practices, all offer enriching insights that help us understand the concept we are dealing with. This is why the purpose of the present formulation is to reflect from another perspective, stressing the particularisms. And, in this way, to begin to lift the veil that conceals the forces of the social matrix

Under the sign of consumption

The series of enunciations exposed in this work attempts to establish a conceptualization of consumption in relation to the communication and reception processes of symbolic goods. In addition, it will attempt to account for some possible derivations of the problem in question. The article explores different definitions penned by diverse authors seeking to set out the essential aspects concerning the object of study Thus, consumption becomes a space within which the appropriation of material and symbolic goods, social differentiation and symbolic class distinctions, integration, communication, amongst other things, take place. Despite the fact that none can sufficiently explain all the peculiarities related to consumption practices, all offer enriching insights that help us understand the concept we are dealing with. This is why the purpose of the present formulation is to reflect from another perspective, stressing the particularisms. And, in this way, to begin to lift the veil that conceals the forces of the social matrix