National Values and Theatrical Values. The Battle of the Siege de Calais (1765)

This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien regime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Siege de Calais, France's "first tragedy in which the nation is given the pleasure to take an interest in itself," as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?

Surviving the Holocaust: A Life History Study

The aim of this thesis was to attempt to explain the inexplicable, thus coming to some concrete rationale as to why Murray was able to persevere unlike so many unfortunate victims who perished. The findings of this research attribute Murray's survival to three distinct categories; (1) Murray's geographical location and relationship to his hometown of Wierchomla, Poland (2) rare level of low anti-Semitic activity encountered and (3) a number of miscellaneous personal factors that included but are not limited to his diet, gender, age, psychological composition, family connections, agency, etc.