Pesiqta Rabbati: a text-linguistic and form-analytical analysis of the rabbinic homily

Pesiqta Rabbati is a unique homiletic midrash that follows the liturgical calendar in its presentation of homilies for festivals and special Sabbaths. This article attempts to utilize Pesiqta Rabbati in order to present a global theory of the literary production of rabbinic/homiletic literature. In respect to Pesiqta Rabbati it explores such areas as dating, textual witnesses, integrative apocalyptic meta-narrative, describing and mapping the structure of the text, internal and external constraints that impacted upon the text, text linguistic analysis, form-analysis: problems in the texts and linguistic gap-filling, transmission of text, strict formalization of a homiletic unit, deconstructing and reconstructing homiletic midrashim based upon form-analytic units of the homily, Neusner’s documentary hypothesis, surface structures of the homiletic unit, and textual variants. The suggested methodology may assist scholars in their production of editions of midrashic works by eliminating superfluous material and in their decoding and defining of ancient texts.

The Contours of the Messiah in Pesiqta Rabbati

Jewish messianic expectations have had multiple expressions. One such expression was Messiah Ephraim. The midrashic work Pesiqta Rabbati contains numerous messianic passages, as well as entire homilies, that focus mainly upon Messiah Ephraim. Ephraim, a son of Joseph, was adopted by Jacob (Gen 48:5). In Jewish texts other than Pesiq. Rab., the Ephraimite Messiah was consistently portrayed as a militant figure, a warrior. The objective of this article is to examine the messianic contours that apply both to Messiah Ephraim in Pesiq. Rab. and to Jesus in order to determine whether there are any Christian elements in the composition of certain passages in Pesiq. Rab.

Al Cheit

As the cliche goes, you write what you know. Coming into this the phrase was worn-out, something said by readers who hadn't studied Roland Barthes and still couldn't tell the difference between the life of the author and that of the protagonist. But since then, I've changed my mind: writing what you know is a more efficient way of saying that in order to be a good writer, you must understand whatyou're writing about. This concept may seem rudimentary, but when I started writing Al Cheit, the truth is, I didn't understand my subject.

The Evolution of Media Coverage of Historical Sports Controversies

This thesis will cover sports controversies throughout the 20th Century in the context of the media’s newspaper coverage of the events. The 1919 Black Sox Scandal, the debate over American participation in the 1936 Olympics, and Muhammad Ali’s conversion to the Nation of Islam, standing as a notorious public figure, and conscientious objection to the Vietnam War will represent the three sports controversies. The media’s adherence to cultural norms is clear in all three cases. The consistent devotion to the cultural and racial atmosphere of their respective eras was constant and helped to perpetuate accepted, mainstream cultural attitudes. Cultural and racial norms were followed in the coverage of the three discussed controversies. The anti-Semitism and racially intolerant sentiments in America during great waves of immigration in the early 1900s allowed for journalists to freely vilify Jews as corrupters of baseball and the ballplayers who were rumored to have thrown the 1919 World Series. The white ballplayers were supported in the press, who protected their own and blamed outsiders. Jim Crow and the Americanization movement forced African American and Jewish newspapers to limit their journalistic bias on both sides of the debate over American participation in the 1936 Berlin Olympics. The white, mainstream press was void of bias as the spirit of isolationism in America triumphed over journalist’s leanings in the Olympic debate. The racial tension created by the Civil Rights movement of the 1960s created an atmosphere that allowed mainstream journalists to heap endless criticism on Muhammad Ali as he gained fame. By portraying him as a villain of society as both a religious radical and traitor to America, journalists created a common enemy in the minds of white America. In all three cases, a pattern of journalists expressing the state of cultural and racial norms of the era is present and significant.