`Faudrait-il le dire à vous, âEtranger?': enjeux intertextuels dans Vingt Ans de Nguyên Duc Giang

By reworking the thread of colonial initiation commonly found in French novels about Indochina, Nguyên Duc Giang's francophone novel Vingt ans (1940) draws upon novelistic and colonial intertexts to reflect upon the novel's role both in educating metropolitan readers and as a possible foundation for Franco-Vietnamese relations. Francophone and francophile, the young Vietnamese represented by this novel's Vietnamese narrator seem to exist outside of the colonial context; at the same time, a 'foreign' reader, presumably French, haunts the story through a dialogical, and unstable, relationship with the narrator. The latter provides the reader with familiar landmarks and immediately reshuffles them, thus transgressing the relationship that links him to the reader. In this way, the narrator reveals his ambiguity towards the reader and his/her culture, calling French hegemony into question.

Role Stress and Job Outcomes in Public Accounting: Have the Gender Experiences Converged?

Using data collected from professionals in a large U.S. national public accounting firm, we explored gender differences in perceived levels of role stress and job outcomes as well as the effects of a healthy lifestyle as a coping mechanism for role stress, burnout and related job outcomes. Our large sample size (1,681) and equal participation by women (49.7%) and men (50.3%) allowed us to analyze the causal relationships of these variables using a previously tested multi-disciplinary research model (Jones, Norman, & Wier, 2010). We found that women and men perceive similar levels of role stress as defined by role ambiguity and role overload, and that women perceive less role conflict. Men and women perceive similar levels of job satisfaction and job performance. Contrary to earlier studies, women do not report higher levels of turnover intentions. Results show that efforts of the public accounting firms over the past decade may be somewhat successful in reducing the levels of role stress and turnover intentions among women. Another plausible explanation could be that an expansionist theory of gender, work and family (Barnett & Hyde, 2001) may now be responsible for improved well-being of females to the point where the genders have converged in their experience of role stress and job outcomes in public accounting.

SEARCHING FOR HOPE IN SAMUEL BECKETT, EDWARD ALBEE, AND SAM SHEPARD

Reading absurdist plays as hopeful is rare because they are filled with portrayals of horror and despair. However, the tragedy of these plays can allow the audience to experience an atypical kind of hope, often during the final moments of the play. Though the conclusions of the plays are usually ambiguous, this ambiguity and lack of resolutiondoes not preclude hope. The characters persist through their suffering and react in ways that can allow a hopeful affect on the audience. The three absurdist playwrights, Samuel Beckett, Edward Albee, and Sam Shepard, express differing views of the tragic nature of the human condition. However, persistent through all of their work is the ability to view tragedy as having a hopeful affect on the audience. Though the plays do not necessitate a reading of hopefulness, their plays do not preclude this. These absurdist plays do not force the audience into despair, but instead leave open the option of experiencing an expectation and determination for life.