Intermittent spike-wave dynamics in a heterogeneous, spatially extended neural mass model

Generalised epileptic seizures are frequently accompanied by sudden, reversible transitions from low amplitude, irregular background activity to high amplitude, regular spike-wave discharges (SWD) in the EEG. The underlying mechanisms responsible for SWD generation and for the apparently spontaneous transitions to SWD and back again are still not fully understood. Specifically, the role of spatial cortico-cortical interactions in ictogenesis is not well studied. We present a macroscopic, neural mass model of a cortical column which includes two distinct time scales of inhibition. This model can produce both an oscillatory background and a pathological SWD rhythm. We demonstrate that coupling two of these cortical columns can lead to a bistability between out-of-phase, low amplitude background dynamics and in-phase, high amplitude SWD activity. Stimuli can cause state-dependent transitions from background into SWD. In an extended local area of cortex, spatial heterogeneities in a model parameter can lead to spontaneous reversible transitions from a desynchronised background to synchronous SWD due to intermittency. The deterministic model is therefore capable of producing absence seizure-like events without any time dependent adjustment of model parameters. The emergence of such mechanisms due to spatial coupling demonstrates the importance of spatial interactions in modelling ictal dynamics, and in the study of ictogenesis.

Cortical local and long-range synchronization interplay in human absence seizure initiation

Brain activity relies on transient, fluctuating interactions between segregated neuronal populations. Synchronization within a single and between distributed neuronal clusters reflects the dynamics of these cooperative patterns. Thus absence epilepsy can be used as a model for integrated, large-scale investigation of the emergence of pathological collective dynamics in the brain. Indeed, spike-wave discharges (SWD) of an absence seizure are thought to reflect abnormal cortical hypersynchronization. In this paper, we address two questions: how and where do SWD arise in the human brain? Therefore, we explored the spatio-temporal dynamics of interactions within and between widely distributed cortical sites using magneto-encephalographic recordings of spontaneous absence seizures. We then extracted, from their time-frequency analysis, local synchronization of cortical sources and long-range synchronization linking distant sites. Our analyses revealed a reproducible sequence of 1) long-range desynchronization, 2) increased local synchronization and 3) increased long-range synchronization. Although both local and long-range synchronization displayed different spatio-temporal profiles, their cortical projection within an initiation time window overlap and reveal a multifocal fronto-central network. These observations contradict the classical view of sudden generalized synchronous activities in absence epilepsy. Furthermore, they suggest that brain states transition may rely on multi-scale processes involving both local and distant interactions.

Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA

This paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis. In the 1980ies and 1990ies he produced several films portraying the gay communities in Germany and the USA in the face of AIDS. First, this paper analyses the cinematic techniques von Praunheim uses to criticise the German gay community and present the American practices of performing community as a role model for AIDS-activism. In a second step, the focus is put on von Praunheim’s autobiography and the rhetoric strategies he uses to participate in New York’s HIV-community, while being HIV-negative himself.

Performing AIDS. The Film-maker Rosa von Praunheim between HIV/AIDS-Communities in Germany and the USA

The paper explores the works of German film-maker Rosa von Praunheim during the AIDS crisis, who worked in Germany and the USA in the 1980ies and 1990ies and produced several films portraying the gay communities in both countries in the face of AIDS. The first part of the paper analyses how von Praunheim’s films show different forms of performing community in the two countries. It discusses the filmic techniques utilized to criticize the reaction of the German gay community to the appearance of AIDS and to present Amercian traditions of forming and performing a community as a role model for AIDS-activism. The second part focuses on von Praunheim’s autobiography „40 Years of Perversity. The Sentimental Memoirs of Rosa von Raunheim“ (1993) and the rhetoric strategies he – being HIV-negative himself – uses to become part of New York’s HIV-community. The paper examines the hypothesis that von Praunheim’s rhetoric is constructing and performing a „participative identity“ (Alois Hahn). The paper finally discusses the use and adaption of terms and symbols originating from the context of German National Socialism (e.g. the pink triangle) within the process of forming and performing New York’s AIDS-Community and how they are reused and readapted by Rosa von Praunheim.

Von der Lust, im fremden Körper zu denken - offene Manipulation im zeitgenössischen Sprechtheater

Figurentheater für ein erwachsenes Publikum findet vermehrt auch auf den institutionalisierten Bühnen des Sprech-, Tanz- und Musiktheaters statt. Diese Entwicklung steht symptomatisch für eine in allen Künsten beobachtbare Tendenz, Genre- und Formgrenzen zu öffnen. Mit der Auflösung strikter Grenzziehungen zwischen den Künsten sowie der Enthierarchisierung der Theatermittel in postdramatischen Formen werden mittlerweile verstärkt auch in Schauspielinszenierungen Puppen, die gleichberechtigt neben den menschlichen Darsteller_innen agieren, eingesetzt (z. B. Frankenstein, Regie: Philipp Stölzl, Theater Basel 2014; Die Brüder Löwenherz, Regie: Ingo Berk, Puppen: Mervyn Millar, Schauspielhaus Zürich 2014; Der Untergang des Hauses Usher, Regie und Puppen: Suse Wächter, Residenztheater München 2015; Merlin oder das wüste Land, Regie: Jan-Christoph Gockel, Puppen: Michael Pietsch, Schauspielhaus Graz 2015). Der seit etwa 20 Jahren beobachtbare massive Entwicklungsschub im west- und zentraleuropäischen Figurentheater ist eng verknüpft mit der Form der offenen Manipulation, bei der Puppenspieler_innen sichtbar die Spielfigur animieren. Inspiriert ist diese offene Spielweise vom traditionellen japanischen Figurentheater Bunraku, bei dem drei sichtbare Puppenspieler eine Figur animieren. Das Bühnengeschehen wird von einem am Seitenrand der Bühne platzierten Rezitator, welcher die Handlung erzählt und den Text aller Figuren spricht, sowie von einem Shamisen-Spieler begleitet. Während für Vertreter der historischen Avantgarde wie beispielsweise Edward Gordon Craig die Puppe aufgrund ihrer Kontrollierbarkeit als Schauspielerersatz von Interesse war, rückt im zeitgenössischen, offen manipulierenden Figurentheater der Fokus auf die Konfrontation von menschlichen Darsteller_innen und Kunstkörpern. Der Beitrag möchte das evidente Interesse der zeitgenössischen Theaterpraxis an der figurentheaterspezifischen Spielweise der offenen Manipulation zum Ausgangspunkt nehmen, um deren Potenzial zur Fragmentierung, Collagierung und Hybridisierung von Körperkonstruktionen und Körperdarstellungen sowie die damit einhergehenden Fragen nach Subjekt- versus Objektstatus zu untersuchen. Abschliessend soll der Frage nachgegangen werden, welche tradierten schauspieltheoretischen Setzungen mit Blick auf die Möglichkeiten der offenen Manipulation als theatrale Praktik im Sprechtheater einer Revision unterzogen werden müssen.

Sleep-wake disorders persist 18 months after traumatic brain injury but remain underrecognized

OBJECTIVE This study is a prospective, controlled clinical and electrophysiologic trial examining the chronic course of posttraumatic sleep-wake disturbances (SWD). METHODS We screened 140 patients with acute, first-ever traumatic brain injury of any severity and included 60 patients for prospective follow-up examinations. Patients with prior brain trauma, other neurologic or systemic disease, drug abuse, or psychiatric comorbidities were excluded. Eighteen months after trauma, we performed detailed sleep assessment in 31 participants. As a control group, we enrolled healthy individuals without prior brain trauma matched for age, sex, and sleep satiation. RESULTS In the chronic state after traumatic brain injury, sleep need per 24 hours was persistently increased in trauma patients (8.1 ± 0.5 hours) as compared to healthy controls (7.1 ± 0.7 hours). The prevalence of chronic objective excessive daytime sleepiness was 67% in patients with brain trauma compared to 19% in controls. Patients significantly underestimated excessive daytime sleepiness and sleep need, emphasizing the unreliability of self-assessments on SWD in trauma patients. CONCLUSIONS This study provides prospective, controlled, and objective evidence for chronic persistence of posttraumatic SWD, which remain underestimated by patients. These results have clinical and medicolegal implications given that SWD can exacerbate other outcomes of traumatic brain injury, impair quality of life, and are associated with public safety hazards.