Uranium mining industry views on ICRP statement on radon

In 2009, the International Commission on Radiological Protection issued a statement on radon which stated that the dose conversion factor for radon progeny would likely double, and the calculation of risk from radon should move to a dosimetric approach, rather than the longstanding epidemiological approach. Through the World Nuclear Association, whose members represent over 90% of the world's uranium production, industry has been examining this issue with a goal of offering expertise and knowledge to assist with the practical implementation of these evolutionary changes to evaluating the risk from radon progeny. Industry supports the continuing use of the most current epidemiological data as a basis for risk calculation, but believes that further examination of these results is needed to better understand the level of conservatism in the potential epidemiological-based risk models. With regard to adoption of the dosimetric approach, industry believes that further work is needed before this is a practical option. In particular, this work should include a clear demonstration of the validation of the dosimetric model which includes how smoking is handled, the establishment of a practical measurement protocol, and the collection of relevant data for modern workplaces. Industry is actively working to address the latter two items.

Recent environmental change and trace metal pollution in World Heritage Bathurst Harbour, southwest Tasmania, Australia

Bathurst Harbour in World Heritage southwest Tasmania, Australia, is one of the world’s most pristine estuarine systems. At present there is a lack of data on pollution impacts or long-term natural variability in the harbor. A ca. 350-year-old 210Pb-dated sediment core was analysed for trace metals to track pollution impacts from local and long-range sources. Lead and antimony increased from AD 1870 onwards, which likely reflects remote (i.e. mainland Australian and global) atmospheric pollution sources. Variability in the concentrations of copper and zinc closely followed the history of mining activities in western Tasmania, which began in the AD 1880s. Tin was generally low throughout the core, except for a large peak in AD 1989 ± 0.5 years, which may be a consequence of input from a local small-scale alluvial tin mine. Changes in diatom assemblages were also investigated. The diatom flora was composed mostly of planktonic freshwater and benthic brackish-marine species, consistent with stratified estuarine conditions. Since mining began, however, an overall decrease in the proportion of planktonic to benthic taxa occurred, with the exception of two distinct peaks in the twentieth century that coincided with periods of high rainfall. Despite the region’s remoteness, trace metal analyses revealed evidence of atmospheric pollution from Tasmanian and possibly longer-range mining activities. This, together with recent low rainfall, appears to have contributed to altering the diatom assemblages in one of the most pristine temperate estuaries in the world.

Museum Schwab. Eine Sammlung, eine Idee und steter Wandel

1865, vier Jahre vor seinem Tod, schenkt der Bieler Sammler Friedrich Schwab seine archäologischen Objekte der Stadt. Er möchte damit den Bewohnern Biels, vor allem der Jugend, einen reichen Fundus zur Verfügung stellen, der einen Einblick in den Alltag der prähistorischen Bewohner der Region bietet. Bis heute ist die Sammlung Schwab ein Studienobjekt für Archäologen geblieben und inspiriert Öffentlichkeit und Schulklassen: So sieht Friedrich Schwab seinen Willen auch nach bald 150 Jahren noch immer erfüllt. Die vorliegende Publikation erläutert die wechselvolle Geschichte des Museums Schwab und bietet gleichzeitig einen Überblick über die archäologische Erforschung der Drei-Seen-Region: von der Entdeckung der ersten Pfahlbausiedlungen bis zu ihrer Aufnahme in das UNESCO Welterbe. Sie folgt den Sammlungen eines Universalmuseums auf ihrer Odyssee, weist auf Details einer einmaligen Architektur hin und zeigt die Zusammenhänge zwischen Kulturpolitik und der aktuellen Bieler Museumslandschaft auf.