A catalog of high-impact windstorms in Switzerland since 1859

In recent decades, extremely hazardous windstorms have caused enormous losses to buildings, infrastructure and forests in Switzerland. This has increased societal and scientific interest in the intensity and frequency of historical high-impact storms. However, high-resolution wind data and damage statistics mostly span recent decades only. For this study, we collected quantitative (e.g., volumes of windfall timber, losses relating to buildings) and descriptive (e.g., forestry or insurance reports) information on the impact of historical windstorms. To define windstorm severity, normalized and declustered quantitative data were processed by extreme value statistics. Descriptive information was classified using a conceptual guideline. Validation with independent damage information, as well as comparison with wind measurements and a reanalysis, indicates that the most hazardous winter storms are captured, while too few moderate windstorms are detected. Strong storms in the wind measurements and reanalysis are thus added to the catalog. The final catalog encompasses approximately 240 high-impact windstorms in Switzerland since 1859. It features three robust severity classes and contains eight extreme windstorms. Evidence of high winter storm activity in the early and late 20th century compared to the mid-20th century in both damage and wind data indicates a co-variability of hazard and related damage on decadal timescales.

Victims of War must be loyal to deserve protection: International law and national legislation on enemy aliens 1907-1918

In international law the internment of civilians has only been regulated in writing in the context of the 4th Geneva Convention of 1949. Nevertheless this did not mean that civilians were not protected by at least some rules of customary international law before that date and especially in World War I. Furthermore specialists of international law expected states – at least those considered to be part of the community of civilized nations – to continue to treat all men equal before the law even in wartime. As research already conducted (Bird, Panayi, Fischer) has shown, this was not the case during World War I. Based on these findings the presentation proposed here wants to look into the development of international law and into some national preparations for treating so called “enemy aliens” in the period before 1914 (Austria-Hungary, Australia, United Kingdom), in order to see to what extent principles of international law protecting civilians from the consequences of war can be detected in the pre-war preparations. As far as can be judged so far the issue of loyalty was central in this context. Looking at the war itself, the presentation proposed here will try to look at how far the principles of international law alluded to above continued to influence the policies on “enemy aliens” in the countries mentioned and to see, how the International Committee of the Red Cross tried to use them to legitimize and expand its protective policies in regard to civilians interned in belligerent as well as neutral countries throughout the war.

Das Werk als Feige und als Figur. Ambivalenzen der Rezeption zwischen Valéry, Mallarmé, "Tel Quel" und Francis Ponge

L’œuvre poétique de Valéry est caractérisée par une esthétique de la perfection, de la pureté et de la clôture. La série ouverte et hétérogène des "Cahiers", en revanche, ne se laisse guère ranger dans la catégorie de l’œuvre. Selon Valéry, la réorientation intellectuelle à la base de cette opposition est due au "choc" subi par la découverte de l’œuvre mallarméenne. Les divers écrits valéryens sur Mallarmé nous servent à reconstruire cette relation ambivalente et nous aident à éclairer sa conception non moins ambivalente de l’œuvre d’art. Nous soutenons que ce ne sont pas ses propres travaux, mais les poésies de Mallarmé qui lui semblaient des œuvres achevées à proprement parler. Pour décrire l’expérience de perfection et d’achèvement que lui fournit la lecture du "Coup de dés", Valéry se sert de la notion de figure qui, entre autres, comporte des associations géométriques. Sous la forme d’un hommage ambivalent, Francis Ponge oppose aux concepts valéryens de figure et d’œuvre d’art une poétique de l’objet matériel et concret qui s’incarne dans "La figue (sèche)", publiée en 1960 comme pièce inaugurale de la revue "Tel Quel".