Abordaje a la música teatral del siglo XVI con algunos cabos sueltos

Rezension von Stephanie Klauk: Musik im spanischen Theater des 16. Jahrhunderts. Sinzing [Studio Verlag] 2013

Estándares europeos de didáctica musical y su exportación a América en el XVI

Zwar sind eine ganze Reihe von musikdidaktischen Traktaten aus dem 15. und 16. Jh. in Spanien bekannt, dennoch wissen wir sehr wenig über die tatsächliche "Lehrszene". Die Bedeutung von Oralität, von Wiederholung, der psychosolzialen Position der Musikschüler war genauso wichtig, wie die schiere Musiktheorie.

El valor estructural de la magia en el universo pastoril de Lope de Vega

The different aspects of magic became an essential ingredient of bucolic universe since the origin of pastoral genre. Within an idealized and utopic frame, magic built a bridge towards transcendence, and balanced the disharmony created by human love emotions within Arcadian microcosm. This concept of magic became infused to Sixteenth century pastoral novel through Neoplatonism and Hermetic tradition. From a narratological point of view, magic episodes became indispensable to complete the philosophical meaning of the works. Lope de Vega, in La Arcadia, published in 1598, fully participated from this tradition, though he will approach the convention from a particular dramatic-like perspective. And it was precisely in pastoral comedias where the Fénix ends up deconstructing bucolic code to remodel it as a mere vestige of the tradition and treat magic as a humorous ingredient.