Growth response to antiretroviral treatment in HIV-infected children: a cohort study from Lilongwe, Malawi

Objective  Malnutrition is common in HIV-infected children in Africa and an indication for antiretroviral treatment (ART). We examined anthropometric status and response to ART in children treated at a large public-sector clinic in Malawi. Methods  All children aged <15 years who started ART between January 2001 and December 2006 were included and followed until March 2008. Weight and height were measured at regular intervals from 1 year before to 2 years after the start of ART. Sex- and age-standardized z-scores were calculated for weight-for-age (WAZ) and height-for-age (HAZ). Predictors of growth were identified in multivariable mixed-effect models. Results  A total of 497 children started ART and were followed for 972 person-years. Median age (interquartile range; IQR) was 8 years (4–11 years). Most children were underweight (52% of children), stunted (69%), in advanced clinical stages (94% in WHO stages 3 or 4) and had severe immunodeficiency (77%). After starting ART, median (IQR) WAZ and HAZ increased from −2.1 (−2.7 to −1.3) and −2.6 (−3.6 to −1.8) to −1.4 (−2.1 to −0.8) and −1.8 (−2.4 to −1.1) at 24 months, respectively (P < 0.001). In multivariable models, baseline WAZ and HAZ scores were the most important determinants of growth trajectories on ART. Conclusions  Despite a sustained growth response to ART among children remaining on therapy, normal values were not reached. Interventions leading to earlier HIV diagnosis and initiation of treatment could improve growth response.

Les Antilles et la représentation de l'espace transatlantique chez Maryse Condé

Si Maryse Condé, écrivain française originaire de la Guadeloupe, semble s’être sentie chez elle dans l’ensemble du monde atlantique (elle a résidé aux Antilles, en France, aux Etats-Unis, en Afrique), ainsi certaines de ses œuvres, alors même qu’elles prennent pour cadre de référence les Antilles, témoignent d’une rare capacité à s’approprier tout l’espace atlantique, que ce soit à travers les mouvements réels, libres ou forcés, des protagonistes ou au contraire par le biais de leurs souvenirs et rêveries. L’analyse des Derniers rois mages (1992), en particulier, nous permettra de dégager l’originalité de Maryse Condé en ce qui concerne la représentation de cet espace – espace non plus organisé en fonction des cartographies imaginaires figées fournies par l’impérialisme, la « négritude » ou la « créolité », mais traversé par une dynamique exploratoire, multifocale et non fusionnelle.