Michel Butor à la frontière

Dans l’œuvre de Michel Butor, la frontière peut être considérée comme un équivalent de la césure, comme le pli de la double page constituait un équivalent de la césure dans Un coup de dés chez Mallarmé. Elle se retrouve dans de très nombreuses œuvres, des romans au Génie du lieu, et dans de nombreuses œuvres poétiques, dont À la frontière et Frontières. Chez Butor, la frontière a un rôle d’articulateur ; mais cette articulation ne va pas de soi, et il faut passer par des «méditations» sur la frontière, qui permettent d’établir une typologie des diverses fonctions de la frontière.]

Entwicklungslinien deutscher Verkehrspolitik im 19. und 20. Jahrhundert

Die Verkehrspolitik seit dem Kaiserreich verfolgte immer auch verkehrsfremde Ziele militär-, sozial- und regionalpolitischer Art, was die Kohärenz der verkehrspolitischen Strategien häufig einschränkte. Prägend für die Verkehrspolitik im engeren Sinn war neben einem meistens infrastrukturlastigen Politikansatz das als grundsätzlich konfliktiv wahrgenommene Verhältnis von Schiene und Straße. Obwohl im internationalen Vergleich das starke Engagement des Staates im Zeichen der Daseinsvorsorge auffällt, kann von einem eigentlichen deutschen Sonderweg keine Rede sein.

The Almost Person: Myth, Narrative and The Doctor

Paul Ricœur describes selfhood as the product of a communal narrative. Communal narratives structured as symbolic myths provide a narrative identity and an ethic of selfhood. The psychologist Jerome Bruner, for instance, places the source of such a narrative identity in the family, where ‘canonical stories’ are formed. ‘Home’ becomes a mode of discourse, a way of recognizing ourselves in the narratives given to us by others. This paper will draw on these concepts of narrative identity in order to investigate the problems to selfhood which face the character of The Doctor in the BBC series Doctor Who. I will identify The Doctor as a character who acts within a self-constructed narrative vacuum, reading the character by contrasting two types of personal myth-making, one ‘real’, as in a lived narrative, and one ‘counterfeit’; a conjured myth to replace and obscure the lived self. The paper will pay particular attention to the twenty-first century reincarnations of Doctor Who. I will argue that the writing of Russell T. Davis and later Steven Moffat in particular directly address this tension of myth and selfhood, as The Doctor struggles between his self-imposed role as a modern Prometheus and the insistent haunting and return of his own story. In these incarnations, his companions become mirrors to The Doctor, bringing with them their own narrative and ethical identities. In turn, it is through his companions that The Doctor is able to build his own lived narrative of sorts, which challenges his self-created ‘mythology’. In contrast to the weeping angels, whose horrific agency manifests only when not apprehended, the Doctor’s story continues to become more real the more he is ‘perceived’, both by the human race and by the viewer.

The Character of Christian-Muslim Encounter: Essays in Honour of David Thomas

The Character of Christian-Muslim Encounter is a Festschrift in honour of David Thomas, Professor of Christianity and Islam, and Nadir Dinshaw Professor of Inter Religious Relations, at the University of Birmingham, UK. The Editors have put together a collection of over 30 contributions from colleagues of Professor Thomas that commences with a biographical sketch and representative tribute provided by a former doctoral student, and comprises a series of wide-ranging academic papers arranged to broadly reflect three dimensions of David Thomas’ academic and professional work – studies in and of Islam; Christian-Muslim relations; the Church and interreligious engagement. These are set in the context of a focussed theme – the character of Christian-Muslim encounters – and cast within a broad chronological framework.