Der mongolische Maskentanz (Tsam) in Vergangenheit und Gegenwart

Since the early 2000s the Mongolian Buddhist masked ritual dance, in the Khalkh-Mongolian language called Tsam, has been re-introduced to the Mongolian religious field. Nowadays a couple of Buddhist monasteries in Mongolia perform the Tsam once a year. This paper examines the Mongolian masked dance in its historical and contemporary aspects, with a special focus on the Khüree Tsam. It provides an overview of the Tibetan history of the masked ritual dance and its historical Mongolian developments, as well as an ethnographic study of the 2009 performance of the Khüree Tsam in Dashchoilin monastery of Ulaanbaatar. Whereas the historical part of this paper draws on Tibetan and Mongolian dance manuals and chronicles, the ethnographic part is methodologically based on participant observation, expert and semi-structured interviews. Finally, the paper discusses the changes and adaptations the Khüree Tsam underwent within and outside the monastic context in today’s Mongolia.

Islam und Muslime im Kontext deutschschweizerischer Öffentlichkeit

This study tries to assess the status of Islam in the context of the Swiss discursive public sphere. Relying on an empirical survey conducted with representatives from fifty Muslim organisations based in the German-speaking part of Switzerland, the study examines the relative position of Muslim organisations in the political public sphere and the role of Islam in public debate from the perspective of the organisations themselves. The empirical findings will be interpreted using two ideal types. The category “public sphere” known from Jürgen Habermas’ works will help to determine the social status of the Muslim community in the context of the Swiss public sphere, while the normative concept “public religion”, as developed by the sociologist José Casanova in his book Public Religions in the Modern World, will contribute to determine the role of Islam in Swiss public debate.