Rap et homosexualite: retranchement homophobe ou changement de cap?

With the advent of the law about same-sex marriage in France, the aim of this dissertation is to analyse the relationship between homosexuality and rap music in the country and to determine to which degree this musical genre can influence people on this matter. Islam has flavoured rap from its beginnings because the vast majority of rappers has a Muslim culture. It is true that, Islam goes beyond the mere disapproval of homosexuality affirming that it is a vile fornication punishable by death. This leads rappers to a rejection of homosexuality in their songs. And, thanks to mass media, these songs contributed to the spreading of the stigma of homophobia upon the “mainstream”. Nevertheless, since 2009, a growing crop of rappers began to support the LGBT community with their work. Rap songs became in this way the anthem of the LGBT campaigns, out from the classic mass media. The result of this dissertation is that rap can have a strong influence upon population and can help them change their mind upon certain subjects, as it was the case for the homosexual cause.

Shyam Selvadurai's Funny Boy: a critical analysis

In this work, I will try to provide an insightful and accessible analysis of Funny Boy, a coming-of-age novel by Sri Lankan Canadian author Shyam Selvadurai. I will provide a brief biography of the author and a concise outline of the historical context. Subsequently, after discussing the novel's structure and its main characteristics, I will proceed to analyze the significance of the novel's title and the role played by ethnicity and sexuality as equivalent sources of alienation, both individually and through their combined agency. To that end, I will focus on what I consider to be the most salient episodes of the novel that, in my opinion, best exemplify the sense of alienation that any individual belonging to a minority group experiences at some point in their lives in mainstream society.