Translating food on the Internet: from American TV series dubbed for the Italian audience to subtitles on YouTube.

The aim of this dissertation is to analyze the adaptation of food realia and food-related terms from English into Italian in the world of screen translation. Food has always been at the heart of every human being’s life and is an essential lens of analysis when trying to understand culture. With the awareness of what has been done in the past in American TV series dubbed into Italian and looking at how translations have been changing in the last decade, my thesis demonstrates how strategies are more inclined to an overt approach, which leaves the audiovisual text deeply tied to its source language and culture. The work will also include a practical subtitling exercise of three episodes of the currently most famous YouTube cooking show: Nerdy Nummies by Rosanna Pansino. The fact that the show is published weekly on a YouTube channel gives me the opportunity to comment on the evolution of media in the third millennium and how this implies an improvement as far as the knowledge, the skills and the possibilities for audiovisual translators are concerned.

Sekundenschlaf e il kabarett austriaco

Cabaret is deeply rooted in Austrian culture, particularly in Vienna, where nowadays this genre can once again live its glory days thanks to the effort of many cabaret comedians like Michael Niavarani, Roland Düringer, Alfred Dorfer and Andreas Vitásek. The starting point for this work is the show “Sekundenschlaf”, of the Viennese cabaret artist Andreas Vitásek. The core of the show is time, a dimension that is not fixed, but time can both fly as well as lengthen almost endlessly. Moreover, Vitásek also speaks about many current issues, like politics and the economic crisis, but the focus of the show is always the author’s personal experience. By means of this work I wanted to identify the difficulties of a potential translation of the show in order to find out whether such a translation might be possible and effective. I chose the examples that were more significant from a thematic and linguistic point of view, transcribed them directly from the DVD and analyzed them in detail. The translation of cabaret proves to be particularly difficult, as it is essential to convey the humorous elements to the target audience. Although humor belongs to all human beings, it is extremely specific for each culture and language. Therefore it is the job of a translator to manage to build a bridge between the source and the target culture. This work is divided into two major parts, one dedicated to cabaret as artistic genre, and the other one specifically dedicated to the show “Sekundenschlaf”. Through the analysis of the transcribed examples I have identified first the linguistic and then the thematic difficulties, pointing out which cultural elements are specific for Austrian culture and which elements can be understood (almost) everywhere.

Portare la tecnologia in cabina: le nuove tecnologie a servizio dell'interprete e il caso della simultanea con testo

The digital revolution has affected all aspects of human life, and interpreting is no exception. This study will provide an overview of the technology tools available to the interpreter, but it will focus more on simultaneous interpretation, particularly on the “simultaneous interpretation with text” method. The decision to analyse this particular method arose after a two-day experience at the Court of Justice of the European Union (CJEU), during research for my previous Master’s dissertation. During those days, I noticed that interpreters were using "simultaneous interpretation with text" on a daily basis. Owing to the efforts and processes this method entails, this dissertation will aim at discovering whether technology can help interpreters, and if so, how. The first part of the study will describe the “simultaneous with text” approach, and how it is used at the CJEU; the data provided by a survey for professional interpreters will describe its use in other interpreting situations. The study will then describe Computer-Assisted Language Learning technologies (CALL) and technologies for interpreters. The second part of the study will focus on the interpreting booth, which represents the first application of the technology in the interpreting field, as well as on the technologies that can be used inside the booth: programs, tablets and apps. The dissertation will then analyse the programs which might best help the interpreter in "simultaneous with text" mode, before providing some proposals for further software upgrades. In order to give a practical description of the possible upgrades, the domain of “judicial cooperation in criminal matters” will be taken as an example. Finally, after a brief overview of other applications of technology in the interpreting field (i.e. videoconferencing, remote interpreting), the conclusions will summarize the results provided by the study and offer some final reflections on the teaching of interpreting.

Analisi dell'umorismo e dei riferimenti culturali nella versione italiana del telefilm The Cosby Show

Il presente elaborato è stato scritto con l’obiettivo di accendere i riflettori su un ambito che rimane spesso nell’ombra: la traduzione audiovisiva e, in particolare, la traduzione audiovisiva dell’umorismo. A fare da cornice a questo quadro è la famosa sitcom I Robinson. La scelta del telefilm è tutt’altro che casuale: sono proprio le sue numerose repliche, trasmesse nelle fredde serate d’inverno, che mi hanno spinta ad approfondire il tema della screen translation. Nel primo capitolo si parla della trama e dei personaggi de I Robinson accompagnati da qualche curiosità sul telefilm. Il secondo capitolo, invece, è dedicato proprio alla screen translation e alla traduzione dell’umorismo nei prodotti audiovisivi. Il terzo capitolo, infine, presenta il confronto tra la versione originale e quella tradotta di alcune delle scene più divertenti de I Robinson.