2 resultados para Variations (Violin and piano), Arranged
em AMS Tesi di Dottorato - Alm@DL - Università di Bologna
Resumo:
Multi-Processor SoC (MPSOC) design brings to the foreground a large number of challenges, one of the most prominent of which is the design of the chip interconnection. With a number of on-chip blocks presently ranging in the tens, and quickly approaching the hundreds, the novel issue of how to best provide on-chip communication resources is clearly felt. Scaling down of process technologies has increased process and dynamic variations as well as transistor wearout. Because of this, delay variations increase and impact the performance of the MPSoCs. The interconnect architecture inMPSoCs becomes a single point of failure as it connects all other components of the system together. A faulty processing element may be shut down entirely, but the interconnect architecture must be able to tolerate partial failure and variations and operate with performance, power or latency overhead. This dissertation focuses on techniques at different levels of abstraction to face with the reliability and variability issues in on-chip interconnection networks. By showing the test results of a GALS NoC testchip this dissertation motivates the need for techniques to detect and work around manufacturing faults and process variations in MPSoCs’ interconnection infrastructure. As a physical design technique, we propose the bundle routing framework as an effective way to route the Network on Chips’ global links. For architecture-level design, two cases are addressed: (I) Intra-cluster communication where we propose a low-latency interconnect with variability robustness (ii) Inter-cluster communication where an online functional testing with a reliable NoC configuration are proposed. We also propose dualVdd as an orthogonal way of compensating variability at the post-fabrication stage. This is an alternative strategy with respect to the design techniques, since it enforces the compensation at post silicon stage.
Resumo:
Igor Stravinskij (1882-1971) utilizzò di sovente fonti preesistenti come parte integrante del proprio artigianato compositivo. In questa tesi dottorale ho studiato il processo creativo di Stravinskij negli anni Venti sulle musiche di Pëtr Il'ič Čajkovskij (1840-1893). Nella prima parte della dissertazione ho indagato la Sleeping Princess (1921) e il successivo Mariage d’Aurore (1922-1929), entrambi allestiti dai Ballets russes di Sergej Djagilev (1872-1929). Dopo aver localizzato e contestualizzato le fonti manoscritte e i materiali d’uso, ho ricostruito le ri-orchestrazioni effettuate da Stravinskij della Danse russe (Coda del Pas de deux n. 28) e del Presto del Finale (n. 30), che erano a tutt’oggi inedite. La ricerca sulla Sleeping Princess si è rivelata fondamentale per la conseguente analisi del Baiser de la Fée (1928, Ballets de Mme Ida Rubinstein), balletto basato su pezzi pianistici e romanze per voce e pianoforte di Čajkovskij. Grazie allo studio dello Skizzenbuch VIII, della partitura pianistica manoscritta e di tutte le fonti rinvenute, ho gettato ulteriore luce sul processo compositivo di Stravinskij sulle fonti čajkovskiane. Ho rinvenuto nuove appropriazioni che finora non erano note.