The engagement of yugoslav technical cooperation experts in post-colonial Algeria (1962-1990). A global microhistory of east-south relations

The venture of socialist Eastern Europe in assisting the development efforts of the post-colonial countries opened up official migratory channels to the Global South for a specific labour group engaged under international technical cooperation programmes. By taking post-colonial Algeria as a space of East-South interactions and intense inter-socialist competition, the thesis studies labour mobility from socialist Yugoslavia of a heterogeneous group labelled “technical cooperation experts” in the period from 1962 to 1990. While CMEA members dispatched to the country personnel in great numbers, after 1965, Yugoslavia failed to do so. Tracing them beyond the institutional level, the thesis aims at detecting and exposing factors which inhibited the attempts to increase the presence of Yugoslav technical experts in Algeria. It argues that instead of building an alternative, solidarity-based aid model, Yugoslav technical cooperation with the developing countries was reduced to mediation in the employment of highly-skilled labour abroad. The cooperation scheme, which differed from one of its Eastern European counterparts, manifested in the employment and legal status as well as everyday life and work experiences of Yugoslav citizens. Relying on the methodological approach of global microhistory, which strongly favours the micro-historical analysis of primary sources in studying global processes, the thesis provides a more comprehensive and nuanced understanding of Yugoslav globalization endeavours. By shifting the focus to the experiences of ordinary people who were under the strong influence of globalization forces of the Cold War era, the thesis adds a “human” dimension to the history of East-South relations.

Le paysage comme fragmentation de l'Esthetique de la nature a l'Epoque contemporaine. Les experiences poetiques de zanzotto, jaccottet at heaney

In this work, we have considered the theme of landscape in the poetry of Andrea Zanzotto, Philippe Jaccottet and Seamus Heaney within the perspective of a fragmentation of the aesthetics of nature. To that end, the most advanced theories of aesthetics applied to nature, such as environmental Aesthetics and Aesthetik der Natur (also known as ökologische Aesthetik) have been taken into account. The philosophical perspective of Paolo D’Angelo, insights from geography (in particular from the works of Franco Farinelli) and from ecology (considering the contributions of Gilles Clément to this discipline) have also been useful. We have argued that the poetic experiences of Zanzotto, Jaccottet and Heaney follow a similar path, each starting from the fusion between the poetic subject and landscape to reach a two-way relationship between them. In this interpretation, the concept of landscape has been considered, according to Michel Collot’s theory of pensée-paysage, as a phenomenon. The poetic texts have been analysed under the lenses of linguistic, stylistic and rhetorical approaches, consistent with the idea that every text must be studied within its context, as every poetic experience is constituted of three elements: the poetic subject, his language and his world, the latest being shaped by and shaping the subject’s position and the perspectives related to it: that is his discourse to the world and in this world.