Il Dionisismo nelle comunità puniche: il caso di Mozia

La ricerca sul «Dionisismo nelle comunità fenicie e puniche: il caso di Mozia» prende in considerazione le diverse attestazioni del dionisismo quale si evidenziano, con le sue ricadute politiche e cultuali, nelle comunità fenicie e puniche della Sicilia, della Sardegna e della stessa Cartagine. Accanto ad una lettura testuale utile alla storicizzazione contestualizzata del fenomeno, fra cui lo stesso pitagorismo, si propone un corpus che comprende prodotti delle categorie artigianali che restituiscono iconografie di’ambientazione dionisiaca, testimonî dell'adozione sociale e pubblica di una cultualità la cui origine si mostra sempre più vicina a contesti vicino-orientali. Da una rilettura storicizzata del dionisismo, quindi, si mettono in evidenza con un approccio multidisciplinare e comparativistico le caratteristiche del culto, di cui si sottolinea fra l’altro la componente ctonia. In particolare il santuario tofet, con le sue recenti riletture di santuario cittadino e pluricultuale, sembra proporre analogie fra il mlk e la ritualità dionisiaca. Analogie che confermano la vocazione mediterranea ed interculturali delle comunità fenicie e puniche e che in più di un caso daranno luogo a sincretismi che si trasmetteranno sino ed oltre l’età romana. In questo colloquio interetnico Mozia svolge un ruolo non secondario insieme a Selinunte, vero e proprio laboratorio del sincretismo cultuale della Sicilia Occidentale pre-romana, dove i culti di Zeus Melichios e di Demetra si pongono come realtà rituali fra le più utili alla coesione sociale, quell’analoga coesione solciale elitaria perseguita dal dionisismo.

Lo sviluppo dell'allevamento in Emilia-Romagna Aspetti economici e implicazioni sociali nella gestione della risorsa animale durante l’età del Bronzo

Il dibattito sullo sviluppo delle culture dell’età del Bronzo nel territorio dell’Emilia-Romagna sta portando una rinnovata attenzione sull’area romagnola. Le indagini si sono concentrate sull’area compresa tra il fiume Panaro e il Mare Adriatico, riconoscibile nell’odierna Romagna ed in parte della bassa pianura emiliana. Si trattava un territorio strategico, un vero e proprio crocevia socio-economico fra la cultura terramaricola e quelle centro italiche di Grotta Nuova. La presente ricerca di dottorato ha portato alla ricostruzione dei sistemi di gestione e di sfruttamento delle risorse animali in Emilia-Romagna durante l’Età del Bronzo, con particolare attenzione alla definizione della capacità portante ambientale dei diversi territori indagati e delle loro modalità di sfruttamento in relazione alla razionalizzazione della pratiche di allevamento. Sono state studiate in dettaglio le filiere di trasformazione dei prodotti animali primari e secondari definendo, quindi, i caratteri delle paleoeconomie locali nel processo di evoluzione della Romagna durante l’età del Bronzo. La ricerca si è basata sullo studio archeozoologico completo su 13 siti recentemente indagati, distribuiti nelle provincie di: Bologna, Ferrara, Ravenna, Forlì/Cesena e Rimini, e su una revisione completa delle evidenze archeozoologiche prodotte da studi pregressi. Le analisi non si sono limitate al riconoscimento delle specie, ma hanno teso all’individuazione ed alla valutazione di parametri complessi per ricostruire le strategie di abbattimento e le tecniche di sfruttamento e macellazione dei diversi gruppi animali. E’ stato possibile, quindi, valutare il peso ecologico di mandrie e greggi sul territorio e l’impatto economico ed ecologico di un allevamento sempre più sistematico e razionale, sia dal punto di vista dell’organizzazione territoriale degli insediamenti, sia per quanto riguarda le ripercussioni sulla gestione delle risorse agricole ed ambientali in generale.

Kraus e/o Shakespeare. Intertestualità in prospettiva: tradurre, citare, inscrivere

The thesis focuses on Karl Kraus’s rewritings of some Shakespeare plays and copes with the concepts of “translation” and “quotation” as commensurable forms of intertextuality. Building his Shakespeare’s Bearbeitungen as a montage of quotations of previous German translations, Karl Kraus creates a new kind of hybrid intertextuality that goes beyond the boundaries between quotation and translation. In my opinion, Karl Kraus understands quotation and translation as spatial concepts: in his rewritings he puts Shakespeare’s text into his geometrical and critical “perspective”. The thesis focuses also on the evolution of quotation and translation in Karl Kraus’s work: even maintaining their satirical and destruens function, they develop an “affirmative” role and are used in order to redefine the literary canon. The thesis investigates this form of intertextuality from a comparative point of view, referring to the translation studies (Hermans, Bassnett, Lefevere, Apel, Berman, Meschonnic), theories of intertextuality (Genette, Barthes, Worton, Orr), studies on quotation and montage (Compagnon; Möbius, Hage), and studies on Karl Kraus (Kraft, Ribeiro, Scheichl, Fischer, Timms, Canetti and the famous essay of Walter Benjamin). It also contains a survey of Theater der Dichtung’s historical framework and several comparisons between Karl Kraus’s and other early 20th translations of Shakespeare’s plays.

Architectures and design patterns for functional design of logic control and diagnostics in industrial automation

Recently in most of the industrial automation process an ever increasing degree of automation has been observed. This increasing is motivated by the higher requirement of systems with great performance in terms of quality of products/services generated, productivity, efficiency and low costs in the design, realization and maintenance. This trend in the growth of complex automation systems is rapidly spreading over automated manufacturing systems (AMS), where the integration of the mechanical and electronic technology, typical of the Mechatronics, is merging with other technologies such as Informatics and the communication networks. An AMS is a very complex system that can be thought constituted by a set of flexible working stations, one or more transportation systems. To understand how this machine are important in our society let considerate that every day most of us use bottles of water or soda, buy product in box like food or cigarets and so on. Another important consideration from its complexity derive from the fact that the the consortium of machine producers has estimated around 350 types of manufacturing machine. A large number of manufacturing machine industry are presented in Italy and notably packaging machine industry,in particular a great concentration of this kind of industry is located in Bologna area; for this reason the Bologna area is called “packaging valley”. Usually, the various parts of the AMS interact among them in a concurrent and asynchronous way, and coordinate the parts of the machine to obtain a desiderated overall behaviour is an hard task. Often, this is the case in large scale systems, organized in a modular and distributed manner. Even if the success of a modern AMS from a functional and behavioural point of view is still to attribute to the design choices operated in the definition of the mechanical structure and electrical electronic architecture, the system that governs the control of the plant is becoming crucial, because of the large number of duties associated to it. Apart from the activity inherent to the automation of themachine cycles, the supervisory system is called to perform other main functions such as: emulating the behaviour of traditional mechanical members thus allowing a drastic constructive simplification of the machine and a crucial functional flexibility; dynamically adapting the control strategies according to the different productive needs and to the different operational scenarios; obtaining a high quality of the final product through the verification of the correctness of the processing; addressing the operator devoted to themachine to promptly and carefully take the actions devoted to establish or restore the optimal operating conditions; managing in real time information on diagnostics, as a support of the maintenance operations of the machine. The kind of facilities that designers can directly find on themarket, in terms of software component libraries provides in fact an adequate support as regard the implementation of either top-level or bottom-level functionalities, typically pertaining to the domains of user-friendly HMIs, closed-loop regulation and motion control, fieldbus-based interconnection of remote smart devices. What is still lacking is a reference framework comprising a comprehensive set of highly reusable logic control components that, focussing on the cross-cutting functionalities characterizing the automation domain, may help the designers in the process of modelling and structuring their applications according to the specific needs. Historically, the design and verification process for complex automated industrial systems is performed in empirical way, without a clear distinction between functional and technological-implementation concepts and without a systematic method to organically deal with the complete system. Traditionally, in the field of analog and digital control design and verification through formal and simulation tools have been adopted since a long time ago, at least for multivariable and/or nonlinear controllers for complex time-driven dynamics as in the fields of vehicles, aircrafts, robots, electric drives and complex power electronics equipments. Moving to the field of logic control, typical for industrial manufacturing automation, the design and verification process is approached in a completely different way, usually very “unstructured”. No clear distinction between functions and implementations, between functional architectures and technological architectures and platforms is considered. Probably this difference is due to the different “dynamical framework”of logic control with respect to analog/digital control. As a matter of facts, in logic control discrete-events dynamics replace time-driven dynamics; hence most of the formal and mathematical tools of analog/digital control cannot be directly migrated to logic control to enlighten the distinction between functions and implementations. In addition, in the common view of application technicians, logic control design is strictly connected to the adopted implementation technology (relays in the past, software nowadays), leading again to a deep confusion among functional view and technological view. In Industrial automation software engineering, concepts as modularity, encapsulation, composability and reusability are strongly emphasized and profitably realized in the so-calledobject-oriented methodologies. Industrial automation is receiving lately this approach, as testified by some IEC standards IEC 611313, IEC 61499 which have been considered in commercial products only recently. On the other hand, in the scientific and technical literature many contributions have been already proposed to establish a suitable modelling framework for industrial automation. During last years it was possible to note a considerable growth in the exploitation of innovative concepts and technologies from ICT world in industrial automation systems. For what concerns the logic control design, Model Based Design (MBD) is being imported in industrial automation from software engineering field. Another key-point in industrial automated systems is the growth of requirements in terms of availability, reliability and safety for technological systems. In other words, the control system should not only deal with the nominal behaviour, but should also deal with other important duties, such as diagnosis and faults isolations, recovery and safety management. Indeed, together with high performance, in complex systems fault occurrences increase. This is a consequence of the fact that, as it typically occurs in reliable mechatronic systems, in complex systems such as AMS, together with reliable mechanical elements, an increasing number of electronic devices are also present, that are more vulnerable by their own nature. The diagnosis problem and the faults isolation in a generic dynamical system consists in the design of an elaboration unit that, appropriately processing the inputs and outputs of the dynamical system, is also capable of detecting incipient faults on the plant devices, reconfiguring the control system so as to guarantee satisfactory performance. The designer should be able to formally verify the product, certifying that, in its final implementation, it will perform itsrequired function guarantying the desired level of reliability and safety; the next step is that of preventing faults and eventually reconfiguring the control system so that faults are tolerated. On this topic an important improvement to formal verification of logic control, fault diagnosis and fault tolerant control results derive from Discrete Event Systems theory. The aimof this work is to define a design pattern and a control architecture to help the designer of control logic in industrial automated systems. The work starts with a brief discussion on main characteristics and description of industrial automated systems on Chapter 1. In Chapter 2 a survey on the state of the software engineering paradigm applied to industrial automation is discussed. Chapter 3 presentes a architecture for industrial automated systems based on the new concept of Generalized Actuator showing its benefits, while in Chapter 4 this architecture is refined using a novel entity, the Generalized Device in order to have a better reusability and modularity of the control logic. In Chapter 5 a new approach will be present based on Discrete Event Systems for the problemof software formal verification and an active fault tolerant control architecture using online diagnostic. Finally conclusive remarks and some ideas on new directions to explore are given. In Appendix A are briefly reported some concepts and results about Discrete Event Systems which should help the reader in understanding some crucial points in chapter 5; while in Appendix B an overview on the experimental testbed of the Laboratory of Automation of University of Bologna, is reported to validated the approach presented in chapter 3, chapter 4 and chapter 5. In Appendix C some components model used in chapter 5 for formal verification are reported.

Il dialogo con l'infanzia. Utopia del folklore, nonsense e comico in Gianni Rodari.

Nel trentennale dalla morte di Gianni Rodari, la tesi elabora problemi e riflessioni circa la maggiore urgenza corrente tra gli attuali studi rodariani: la necessità, per la cultura nazionale, di conferire a Gianni Rodari e alla letteratura per l’infanzia il ruolo intellettuale determinante da essi rivestito. La tesi sceglie di concentrarsi sui maggiori libri poetici e sul capolavoro teorico, la Grammatica della fantasia, utilizzando come strumenti il confronto con Gramsci, con la tradizione del folklore, con i grandi scrittori per l’infanzia dell’Inghilterra e con le altre esperienze poetiche del Novecento, discutendo Rodari da una specola esclusivamente filologica e letteraria. Parte prima: Rodari utopista. Nella prima parte Gianni Rodari viene inquadrato in un confronto diretto con l’Antonio Gramsci dei Quaderni, che aveva lucidamente individuato la separatezza tutta italiana tra classe intellettuale e mondo popolare, con conseguente inesistenza di una letteratura nazionale-popolare e di una specifica letteratura per l’infanzia. Rodari, primo intellettuale a dedicare tutto se stesso al riempimento di questa lacuna, risponde con intento sociale e politico al problema, adottando un atteggiamento che la tesi definisce utopico. Tramite una disamina del pensiero delle utopie letterarie a confronto con la tradizione popolare del paese di Cuccagna, la tesi procede all’accurato rinvenimento nell’opera di Rodari dei luoghi utopici, tutti orientati a suggerire un utilizzo dell’utopia come chiave per forzare un presente insoddisfacente e accedere a un futuro costruito da ogni individuo in prima persona. Parte seconda: Rodari poeta nonsense? Scritta in Inghilterra presso l’Istitute of Germanic and Romance Studies della University of London, la seconda e corposa parte della tesi si propone come un ampliamento della traccia gettata nel 1983 dall’articolo di Cristina Bertea Gianni Rodari in Gran Bretagna. La tesi analizza dapprima il problema del nonsense, ancora scarsamente trattato in Italia, riflettendo criticamente sulla maggiore bibliografia anglosassone che ha studiato il tema. Successivamente, mette a raffronto il lavoro linguistico che Gianni Rodari ha compiuto lungo l’arco di tutta la vita e le tecniche di composizione poetica elaborate nella Grammatica della fantasia con gli strumenti retorico-formali del nonsense individuati nell’opera di Lewis Carroll, di Edward Lear e delle nursery rhymes inglesi. Parte terza: Traccia per una mappatura della poesia per l’infanzia in Italia, a partire da Gianni Rodari. L’ultima parte della tesi si avventura alla ricerca di un percorso possibile attraverso la poesia per l’infanzia del Novecento e le sue esperienze di comicità. I capitoli si soffermano sul nonsense di Toti Scialoja e di Nico Orengo, sui precedenti di Lina Schwarz e Alfonso Gatto, sul Petel di Zanzotto, sulla poesia di soglia di Vivian Lamarque e sull’eredità della Grammatica della fantasia con particolare riferimento a Calicanto, di Ersilia Zamponi e Roberto Piumini.