2 resultados para Painted Sculpture
em Acceda, el repositorio institucional de la Universidad de Las Palmas de Gran Canaria. España
Resumo:
[ES] Con motivo de la práctica docente universitaria en la Facultad de Formación del Profesorado con alumnos del grado de Primaria, en el ámbito de las artes plásticas, tuvimos la idea y la oportunidad de reforzar y ampliar los recursos didácticos planteados a priori en la investigación, experimentándolos con un sector más amplio que el de los alumnos de especialidades específicamente artísticas, a quienes iba dirigido en un principio la creación de recursos didácticos relacionados con la tesis titulada: “Escultura pública en Gran Canaria entre 1980-2010: recursos didácticos para la enseñanza de algunos procedimientos usados en ellas.” [EN] In the context of teaching activities to Primary Education students at the Teacher Training College in the field of plastic arts and in reference to the thesis called 1980-2012 Public Sculpture in Gran Canaria, Didactic Resources for the Teaching of some of the Procedures Applied in their Making geared towards students whose specialties were specifically artistic, we had the op ortunity to reinforce and increase the methodological resources considered within the research but with students different to those of the speciality of plastics arts.
Resumo:
[EN] After comparing the features of the group of goats from Villaverde ( osseous remains from the beginning of our era), -La Palma (recently extinct), and - Desertas (descendants of the anciet Canarian goat ), all of them cosidered to be of the same breed, with those of the neolithic and protohistoric goats from North Africa, greater affinity is found with the mamber goat of the predinastic Egypt and the Ancient Egyptian Empire, represented in King Ranusir's tomb (V Dinasty) 4.500 years ago, and affinity is also found with the neolithic goat painted in Amguid (Central Sahara) and the modern Sahel goats, although the paleo - Canarian goat has its own features.
