Imprensa italiana em São Paulo e o fascismo: o Fanfulla (1921-1942)

This article intends to verify the Fanfulla's action in the dynamic of the political propaganda, as well as the cultural exchanges established with the fascism during 1922-1924. The leading question is insert on the political culture studies concerned with the significance of the fascism spread among the Italian immigrants and his descendants located on the Sao Paulo State. It unfold in others questions: the reason of the Mussolini government pledge to publish those ideas, the themes approached in this propaganda, the reactions it rise, as well on the Italian community, the Brazilian government and political movements. On this issue is included the position of the Brazilian government, on the Brazilian diplomacy or in the repressive agencies toward fascist Italy and the supporters of the fascism. The choice of the newspaper Fanfulla is justified for its position in the historiography, considered the most expressive source for this study, due its longevity, relations with the fascist regime and diffusion on Sao Paulo State.

Política contemporânea e sociedade unidimensional

O tema principal deste trabalho é a análise de contradições da política brasileira contemporânea à luz da Teoria Crítica.

Notas sobre Siegfried Kracauer, Walter Benjamin e a Paris do Segundo Império: pontos de contato

Trata-se de mostrar a originalidade crítica de Siegfried Kracauer diante da experiência da modernidade estética e de discutir as afinidades estético-teóricas de Kracauer e Benjamim ao analisar a Paris da segunda metade do século XIX, o Segundo Império, em particular, como fenômeno originário da sociedade de massas, da indústria cultural e do entretenimento e, sobretudo, do nazi-fascismo. Kracauer durante seu exílio parisiense (1933-41) escreveu uma biografia da sociedade: Jacques Offenbach e a Paris de sua época (Jacques Offenbach und das Paris seiner Zeit). Obra inovadora pelo seu enfoque da história do presente e com pontos de contatos com a Obra das Passagens (Passagen-Werk) ou Paris capital do século XIX de Walter Benjamin.

As experiências femininas na AIB, 1932-1938: revendo o passado : gênero e representações

Pós-graduação em Ciências Sociais - FFC

Referências históricas e o realismo mágico em Il barone rampante, de Italo Calvino

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O integralismo no sertão de São Paulo: um fascio de intelectuais

Pós-graduação em História - FCHS

Política internacional na revista Diretrizes (1938-1942)

Pós-graduação em História - FCLAS

Entrincheirados no tempo: a FEB e os ex-combatentes no cinema documentário

Pós-graduação em História - FCHS

Theodor Adorno e Hannah Arendt: confluências no campo da filosofia da educação

The aim of this paper is to analyze the confluences between the thinking of philosophers Theodor Adorno and Hannah Arendt in critiquing totalitarianism and fascism in the post-World War II period. Looking for approximation between the works of both philosophers, the most relevant aspects of this criticism for the philosophy of education will be explicited.

Vozes do desterro: a Literatura de Exílio alemã em seus periódicos e na obra de Anna Seghers

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Reformismo social em John R. Commons

This research aims to discuss aspects of the thought of John R. Commons regarding their engagement with the reform of capitalism. He focuses on his interpretation of the socioeconomic context of American capitalism, which led him to distance himself from the Marxist revolutionary praxis and the authoritarian reformism offered by the variant of European fascism. Based on extensive literature review, the research rebuild through a historical and theoretical context, his thinking and show the evolution of his ideas throughout his life. Recreating the terms in which Commons defended his reformist project, called him reasonable capitalism.

Para que serve o passado: cronache di poveri amanti e a crônica da história

Vasco Pratolini recreates the 1920’s and the assertion of fascism resorting to the medieval and historiographical tradition, to the social outlook and the childhood memoir. Under the effects of the intellectual movement of the Italian Resistance, within the democratic context of the parliamentary republic and pluripartyism (1946- 1948), the novel makes clear the equalitarian perspective betraying the represented moment, when hopelessness crowned the political and social life. Carlo Lizzani shoots his adaptation in the closure of horizons caused by the restoration of the conservative forces (1953), reducing the visionary focus of the narrative and representing the past from the disillusionments of the present.