Hélio Oiticica: antropófago de si mesmo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Contribuição da comunicação visual para o design de superfície

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Arte concreta: racionalismo e abstração como contribuições para o design - um estudo na obra de Geraldo de Barros

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A interlocução do Serviço Social com os movimentos sociais no Brasil: uma análise a partir da produção teórica com enfoque no trabalho profissional

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O cut-up em Naked Lunch de Willian Burroughs: a narrativa em estilhaços

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A reescrita irônica de Angela Carter: O quarto do Barba-Azul

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A poesia essencial e o sublime nos anos 1930

This  paper  attempts  to  investigate  a  part of  Brazilian’s modernism poetic tradition starting  from the notions of “sublime”,”essential poetry” and “pure poetry”. Such notions seem to constitute both the critical projects of Alceu Amoroso Lima and Graça Aranha, as well as they allow to consider partially the trajectories of Joaquim Cardozo, Emílio Moura, Henriqueta Lisboa and Augusto Frederico Schmidt in face of the vanguards.

Contribuições do design gráfico para o design de superfície

Graphic Design is a profession established with advent artistic vanguards of the twentieth century. As professional activity, it works with planning and projects which involve the visual solution of communication and information problems. Then, The Surface Design is the professional practice pledged with the elaboration of projects for coatings and application in products, giving attention to the production and materials in the processes. The relation between both Design areas is connected, at first, by the two-dimensional characteristic. In Brazil, academic study about Surface Design is in evolution and some universities works with this subject. Analyzing the concepts and characteristics concerning methodologies that comprehend both Graphic Design and Surface Design becomes a current and including subject. Therefore, it is necessary the conceptual unfolding and methodological in order to establish relations and contributions involved in the field of Graphic Design and apply them in Surface Design. Thus, the present study aimed to check concepts and particular functions of Graphic Design and to establish its relations and contributions for Surface Design. The results of this study can be used as teaching support and professional practice.