Efeitos do thidiazuron e do ácido giberélico sobre as características dos cachos dos cultivares de videira vênus, centennial seedless e niagara rosada

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Avaliação de seis variedades de uvas sem sementes no Submédio São Francisco

This work aimed to study aspects related to vegetative and productive development of plants and characteristics and chemical components of bunches of six seedless grape varieties at environmental conditions of São Francisco river's valley, Northeastern Brazil. The experiment was carried out during 1997 and 1998. The varieties tested were grafted on IAC 572 ('Jales') rootstock. The experimental model utilized was totally randomized, and with parcels subdivided into different production cycles. The results showed significative differences among varieties at different pruning times. The average weight of bunches varied from 164.8 g for 'Marroo Seedless' and 203.5 g for 'Beauty Seedless'. The average diameter of berries was superior to 15.7 mm for all of the varieties. The total soluble solids varied from 14.05°Brix in 'Canner' to 19.6°Brix in 'Venus'. The total titratable acidity (ATT) was lower than 0.91 g tartaric acid/100 mL of juice. The ratio SST/ATT varied from 19.05 in 'Beauty Seedless' to 28.57 in 'Vênus'. 'Vênus' and 'Marroo Seedless' were the most productive varieties, with the average annual production of 24 ton/ha and 20 ton/ha, respectively.

Mulheres recipientes: recortes poéticos do universo feminino nas artes visuais

Pós-graduação em Artes - IA

Efeito de diferentes meios de imersão na emissão fluorescente de resinas compostas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Botticelli: pintura e teoria

Esta obra analisa com profundidade o trabalho do florentino Sandro Botticelli (aproximadamente 1445-1510), um dos mais conhecidos representantes da arte renascentista, autor de afrescos que decoram a Capela Sistina e de ícones da pintura ocidental, como O Nascimento de Vênus e A Primavera. Aqui, Débora Barbam Mendonça toma como ponto de partida a comparação do estudo Clássico e Anticlássico, de Giulio Carlo Argan, sobre a pintura do florentino, com obras de outros teóricos e historiadores. O objetivo é estudar o conceito de graça na pintura de Boticelli e confrontá-lo com os pressupostos teóricos da produção do artista. A autora discute a interpretação de especialistas sobre o Renascimento como período histórico, filosófico e artístico, discorre sobre o legado teórico da pintura humanista e busca o ideal de belo intrínseco à obra de Boticelli. No terceiro capítulo, Mendonça analisa detalhadamente a pintura A Virgem do magnificat como referência para situar Boticelli como artista intelectual do Renascimento e destacar na obra sua ideia de graça. A filósofa conclui que Boticelli seguia uma linha teórica, mas a partir de uma escolha individual, ou seja, desenvolvia uma estética psicológica. E, por meio dos elementos formais de que dispunha, transmitia em suas obras o conceito de graça, transpondo ao mesmo tempo o resultado do diálogo que mantinha com a Filosofia, a ciência, a religião e, nostalgicamente, com a Antiguidade

Avaliação da termociclagem sobre a estabilidade de cor de diferentes matizes de resina composta

The objective was to evaluate the effect of thermocycling on the color variation of three different composite resins . We studied was Resin Enamel on 3 levels : ( Esthetic X , Opallis and Venus ) ; Resin Dentin in three levels : ( Esthetic X , Opallis and Venus ) and Thermocycling on level 1 : ( 3,000 cycles ) ; variable was the change of color gauged by spectrophotometry . 60 specimens , subdivided into 6 groups were made : GI - Esthetic X Enamel ; GII - Esthetic X dentin ; GIII - Opallis Enamel ; GIV - Opallis dentin ; GV - Enamel and GVI Venus - Venus dentin . The specimens were prepared with a matrix to standardize samples . The inserts of incrementally resins and polymerized with a halogen light Ultralux unit ( Dabi Atlante , Brazil ) with a power of 450mW / cm ² . After fabrication , underwent color reading with a UV Visible Spectrophotometer reflection , UV -2450 ( Shimadzu , Kyoto , Japan ) , with the changes calculated by the system CIE L * a * b * . Then isolates were stored in artificial saliva at 35 ° C ± 2 ° C during 3 months containers being subjected to the effects of thermal cycling for 3000 cycles over the range of 5C to 55C . Again subjected to chromatic evaluation. For the analysis of the results of color change of the studied resins was applied ANOVA two factors at 5 % . The results showed a statistically equal resins enamel GI and GV ( p = 0.79 ) ; the same was not observed for GI and G III resins , where the color change was higher for resin G III ( p = 0.0000002 ) . The same was observed between G III and GV , where the resin enamel G III showed a statistically superior to the color change ( p = 0.0000005 ) Average . Resins to dentin was there a statistical equality between the materials studied . We conclude that the resins studied change in color and resin enamel G III was the most suffered major color changes after aging by thermocycling .