4 resultados para Sociedad de consumo

em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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El objetivo de este estudio es discutir el nacimiento del individuo moderno y el contexto de la "sociedad administrada" tomando como referencia los estudios realizados por el sociólogo polaco Zygmunt Bauman. A partir de estos dos puntos, se debate las relaciones con la institución escolar, mientras un dispositivo que pone en práctica la administración de la vida. Por último, se discute sobre el tema de la libertad, concibiéndola como un discurso contradictorio que, al mismo tiempo que toma al individuo como ser libre de determinaciones, lo inserta en nuevas formas de control, como práctica presentes en la sociedad de consumo.

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The involvement of adolescents as workers in the trafficking of illicit drugs has increased in recent decades in Brazil, and perhaps the world, making them also victims and perpetrators of violent acts related to this activity. Given the above, we conducted research – that now present some results in this article – on such subjects. Basically, we pretend to understand if they had, throughout its history, references to the authority that contributed to its entry in that class. The teens were chosen social stratum of low income and working on trafficking. We conducted interviews / conversations with these individuals and analyzed according to the perspective of psychoanalysis extramural. We conclude that, for them, such activity is a possible route in our society, to gain social recognition and feeling of belonging to the adult world and the society of consumers.

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Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.