As normas multilaterais para o combate ao terrorismo: uma análise das políticas dos EUA no pós 11 de setembro e sua recepção nos espaços decisórios da ONU

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Leituras e imagens do 11 de setembro: reavaliações da história em Falling Man (2007), de Don DeLillo e em Fahrenheit 9/11 (2004), de Michael Moore

Pós-graduação em Letras - IBILCE

Ataques do 11 de Setembro foram evento-chave para crescimento da mídia online

Não disponível

O Estado e a aplicação de atos legistativos contrários ao princípio da reserva da lei penal

Pós-graduação em Direito - FCHS

As forças de operações especiais dos Estados Unidos e a intervenção no Afeganistão: um novo modo de guerra americano?

Pós-graduação em Relações Internacionais (UNESP - UNICAMP - PUC-SP) - FFC

As relações EUA-América Latina: medidas e consequencias da polìtica externa norte-americana para combater a produção e o tráfico de drogas ilícitas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Securitização e política de exceção: o excepcionalismo internacionalista norte-americano na segunda Guerra do Iraque

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Falling Man: A literatura em busca de possíveis significados para um espaço vazio

September 11 has originated a wide range of artistic manifestations which have not only searched for plausible explanations for the tragedy, but also tried to review the events. In this sense, this paper aims at showing how a novel reevaluates this episode. The attacks made the United States experience a strong sense of vulnerability triggering reactions from the American government, whose quick action was translated into a new national security strategy associated with the war on terror. This paper analyzes the narrative strategies employed by the American author Don DeLillo in his novel Falling Man (2007) in order to reevaluate that tragedy. The debate of the topics is based on texts concerning the relationship between literature and history, postmodern fiction and issues on terrorism. This study contributes to enrich the discussion related to the events that led to the catastrophe and its aftermath, examining characters and groups linked to the September 11 terrorist attacks, revealing multiple truths subjected to social, ideological and historical conditions.

Players, Mao II e Falling Man: O terror em três versões (publicado em 2014)

This paper aims at analyzing the different approaches to terror in the novels Players (1977), Mao II (1991) and Falling Man (2007), by the American writer Don DeLillo. In Players, terror is shown as something attractive and exciting to a character who leads a very tedious personal and professional life; in Mao II, it is connected to the kidnapping of a poet and the text brings up relevant debates focusing on the contrast related to the power of novelists and terrorists in society; and in Falling Man, the author reviews the tragedy of September 11, in an attempt to try to understand the reasons why the attacks happened. The novels show terrorist actions connected to historical processes and also to the present form of capitalism and globalization. Theoretical texts by Bauman (1998), Eagleton (2005), Freitas (1989), Fraser (2000) will be used to discuss the issues addressed in this paper.

Falling Man: A Literatura em busca de possíveis significados para um espaço vazio

September 11 has originated a wide range of artistic manifestations which have not only searched for plausible explanations for the tragedy, but also tried to review the events. In this sense, this paper aims at showing how a novel reevaluates this episode. The attacks made the United States experience a strong sense of vulnerability, triggering reactions from the American government, whose quick action was translated into a new national security strategy, associated with the war on terror. This paper analyzes the narrative strategies employed by the American author Don DeLillo in his novel Falling Man (2007) in order to reevaluate that tragedy. The debate of the topics is based on texts concerning the relationship between literature and history, postmodern fiction and issues on terrorism. This study contributes to enrich the discussion related to the events that led to the catastrophe and its aftermath, examining characters and groups linked to the September 11 terrorist attacks, revealing multiple truths subjected to social, ideological and historical conditions.

De Bush a Jack Bauer: a segurança como obsessão nos Estados Unidos após o 11 de setembro

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre palavras e imagens: o acontecimento de 11 de setembro nas revistas Veja e Carta Capital : a arquitetura do imaginário social sobre o terrorismo

Pós-graduação em Educação - IBRC