Uredinales sobre Blechnaceae, Thelypteridaceae, Schizaeaceae, Myrtaceae, Oxalidaceae, Rhamnaceae, Rubiaceae, Sapindaceae, Smilacaceae e Vitaceae da Reserva Florestal Armando de Salles Oliveira, São Paulo, SP, Brasil

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Paulo Emílio Salles Gomes: a compreensão da realidade brasileira através da crítica de cinema

O objetivo deste artigo é compreender o papel intelectual desempenhado por Paulo Emilio Salles Gomes na sociedade brasileira. Partindo da análise da sua crítica de cinema no jornal O Estado de São Paulo, nos anos 1950, busco caracterizar o processo de construção do empenho político e cultural voltado para a construção de uma sociedade democrática no Brasil, que se desdobrava nas análises sobre o cinema, e a realidade brasileira nas décadas de 1960 e 1970.

Caracterização da escrita no ciberespaço: convergências e divergências em salas de bate-papo brasileiras

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Luzes e sombras: Paulo Emilio Salles Gomes e a cultura cinematográfica (1954-59)

Pós-graduação em História - FCLAS

Les Salles de Ressouces Multifonctionnelles: un recous pour les écoles inclusives au Brésil

In the 90s, the Brazilian Secretariat of the Special Education Department has expanded the democratization of education and pupils’ access to schooling, by redefi ning the operation of special education services. With this inclusion policy, the education system has been restructured. An important action, conducted during the period de 2005 to 2010, was to propose, deploy and implement Multifunctional Resources Rooms (Sala de recursos multifuncionais, or SRM), from two different types (type I and II). The challenge was to promote educational inclusion, in a program entitled Inclusive Education: the right to diversity. In a seek for new identity of teacher training and professional practice in special education, the great educational innovation is to better articulate the work of “ordinary“ and specialized teachers, via the SRM, and to develop collective and participatory actions between common spaces and support spaces. In this context, the school and the family represent an important source of partnership.

A Confluência de Gêneros em Dark Water, de Walter Salles Jr.

Dark Water is the title of the translation of a short story, ―Floating Water‖, from the book Honogurai mizu no soko kara by Koji Suzuki, originally published in Japan, that the Japanese director Hideo Nakata adapted for the cinema and that was remade by the Brazilian director Walter Salles Jr. The objective of this study is to analyse Walter Salles’ film to demonstrate how it resolved the problems of transcreation, whilst at the same time it fulfilled commercial and artistic functions and incorporated the traces of its aesthetic trajectory. In this case, attention is drawn to the types of relationship between literature and cinema, to the metalinguistic function as a generator of poetics and of an interesting dialogue between genres.