Um parágrafo de história na literatura francesa: a representação do Caso Dreyfus em L'Île des pingouins, de Anatole France

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O realismo mágico nas Short Stories de Neil Gaiman, um contador de histórias da contemporaneidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Humor e sátira: a outra face de Edgar Allan Poe

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O discurso sobre o mal na Igreja Universal do Reino de Deus: uma história cultural do diabo no Brasil contemporâneo (1977-2005)

Pós-graduação em História - FCLAS

As metamorfoses do diabo na modernidade: a secularização do mito e sua apropriação pela indústria cultural no século XX

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Patologias sociais contemporâneas: os paradoxos da modernidade na sociedade brasileira do século XXI e a luta social contra a figura do diabo

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Sistema jagunço: localismo e universalismo em Grande sertão : veredas

Under different perspectives of interpretation and analysis, the notions of localism and universalism in the fictional production of Guimarães Rosa have been strongly explored by the criticism, especially in Grande sertão: veredas [The devil to pay in the backlands], in which these two dimensions – overlapped and complementary – become more intricate and profuse. Taking the analytical line of historical, social and political dimensions of the novel for granted – not regarding it as an essay or strict allegory of the country – the present study proposes a new reading of the composition with the interpretation of the articulation of these two dimensions in the forming of the “jagunço system” (ROSA, 1970, p.391), that is a concept created by Guimarães Rosa and which transcends the historical and sociological reality. The articulation of the social, political and cultural elements figure in Guimarães Rosa’s fiction and becomes an issue for wider debates and reflections, so that the particular element of the novel enables a universal survey. Based on diverse critical apprehensions of the novel, this paper aims to investigate the levels of the literary composition in which the local-universal articulation associated with the representation of the jagunço is constructed. In order to do that, the theoretical study is based on three dimensions of studies: a) critical essays about Guimarães Rosa, the totality of his work and specific critical essays about Grande sertão: veredas [The devil to pay in the backlands] and the “jagunço system”, b) theoretical apparatus concerning the history, the politics and the Brazilian culture related to the cangaço; and c) theoretical subsidies for the study of the narrative

Babel subjetiva ou a mais completa tradução: considerações sobre Budapeste de Chico Buarque

This paper discusses aspects of Budapest, by Chico Buarque, published in 2003. In the novel, a contingency takes the protagonist, a Brazilian, to Hungary. There, involved within a culture quite distinct from his, he has experiences in a strange language, which “even the devil respects”, and with an interesting woman, who teaches him the language. Both, language and woman, turns into mirrors that refract and put his subjective experience, as babelic as the Hungarian, up side down. Considering contingency as a category from the Real (Lacan) and translation as mechanism of subjective search of a blot origin (Derrida), at the same time transcreation (Haroldo de Campos), we will pinpoint some ways to the novel reading.

Rastros em chão branco: o sertão de João Guimarães Rosa entre percepções e memórias de travessias

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Poe tornado fellini: adaptação literária no cinema autoral

The purpose of this article is to assess Federico Fellini’s adaptation of an Edgar Allan Poe story for the screen. The film “Spirits of the Dead” is Fellini’s adaptation of Poe’s story “Never Bet the Devil your Head”, but it is very far from being a faithful rendering. The “infidelity” of the Italian film director to the American writer occurred in the context of the enormous prestige enjoyed by what was known as “authorism”, a phase which the film industry was going through at the end of the 1960s, whereby great value was placed on the aesthetic idiosyncrasies of individual film directors.

Macário e La cruz del diablo: a caracterização da figura do diabo na literatura fantástica

Pós-graduação em Letras - IBILCE

Image processing algorithm for the identification of Martian dust devil tracks in MOC and HiRISE images

This paper presents a method for automatic identification of dust devils tracks in MOC NA and HiRISE images of Mars. The method is based on Mathematical Morphology and is able to successfully process those images despite their difference in spatial resolution or size of the scene. A dataset of 200 images from the surface of Mars representative of the diversity of those track features was considered for developing, testing and evaluating our method, confronting the outputs with reference images made manually. Analysis showed a mean accuracy of about 92%. We also give some examples on how to use the results to get information about dust devils, namelly mean width, main direction of movement and coverage per scene. (c) 2012 Elsevier Ltd. All rights reserved.

Occurrence of the bentfin devil ray, Mobula thurstoni (Chondrichthyes : Mobulidae), in the western Atlantic

This paper reports the occurrence of the fifth species of Mobula in the western Atlantic, M. thursloni, based on specimens caught by artisanal and driftnet fisheries in coastal waters off southern Brazil.

Automated determination of the orientation of dust devil tracks in mars orbiter images

The paper presents and evaluates three methods for automatically estimating the main orientation of Martian dust devil tracks in MOC and HiRISE images. Inferring such information about dust devils from their tracks is important to better understand the near surface wind. The methods considered were based on gradient direction, directional openings and morphological granulometry. The accuracy of the methods was asserted by comparing the results to a set of directions estimated visually and assumed to be the ground truth. The higher accuracy was reached using directional openings. Besides, the directions inferred by this method were compared to those predicted by the GCM and the results agreed. © 2013 COSPAR.