Vieira e os excluídos do reino de Deus: protestantes, negros e mulheres

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre a sacristia e o laboratório: os intelectuais protestantes brasileiros e a produção da cultura (1903-1942)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As outras faces do sagrado: protestantismo e cultura na primeira república brasileira

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O lazer e a difusão da moral protestante

This study of qualitative nature, aimed to investigate the relations arising from experiences in the context of leisure in recreational activities offered in religious camps, with the spread of Protestant moral values .. The study was conducted with the union of literature and exploratory research. First, we sought to understand, through the specific literature, the Protestant society manifestation with its ethics and values, showing how leisure has been sought and appropriated by Protestants institutions. Subsequently, we developed an exploratory research, using as instrument for data collection a mixed questionnaire, applied to a purposeful sample comprised of participants of a religious camp of Protestant institution. Data were analyzed descriptively by Technical Analysis of Thematic Content and indicate that the activities offered at religious camp can diffuse Protestant values directly intentioned, in order to carry religious values so intrinsic to the task, and, indirectly meaning as a tool of evangelism, which are supporting the process of transmission of these values

A rainha Margot em duas versões

This paper presents a comparative study concerning the novel The queen Margot (1845), by Alexandre Dumas father, and the homonymous movie (1994), by Patrice Chéreau, mainly considering its historical character, the production conditions of each “discourse” and the personages’ performances in both narratives. The novel has been originally published in the form of feuilleton in the French newspaper La presse, during the years 1844 and 1845, what explains its long extension and the correlation among the chapters. It constitutes a trilogy, the action of which takes place during the religion wars, affording to the text the classification of a traditional historical novel, having the episode of St. Bartholomew carnage as its most striking event. Regarding the movie, which has been awarded five Cesar prizes, two rewards in Cannes Festival and an indication to the Oscar for the best costume design, it also counts with Isabelle Adjani as the protagonist actress. With a few relevant differences regarding the novel, it is remarkable that the action in the movie happens in august 1572 in a Paris that is the center of conflicts among Catholics and Protestants. In this scenery, the comparison between the two artistic manifestations is based strictly on the analysis of the personages’ profiles, the circumstances in which they have been produced and the historical aspects surrounding the two works.

O movimento missionário e educacional protestante na segunda metade do século XIX: para cada igreja uma escola

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)