Risco de queda em idosos da comunidade: avaliação com o teste Timed up and go

Risco de queda em idosos pode ser avaliado por meio de um teste simples de mobilidade. OBJETIVO: Avaliar o equilíbrio de idosos usando o teste Timed up and go. MÉTODO: Os indivíduos tiveram o tempo medido desde o momento em que se levantaram de uma cadeira, caminharam 3 metros para a frente e retornaram à cadeira. Os idosos também responderam questões sobre desequilíbrio, tontura e queda. RESULTADOS: Cerca de 69% dos sujeitos realizaram o teste em até 19 segundos. Houve correlação significativa entre desequilíbrio, tempo dispendido e queda, assim como entre tontura e queda. CONCLUSÃO: A maior parte dos idosos mostrou baixos valores no teste, o que sugere boa mobilidade funcional. Entretanto, um número expressivo de indivíduos com valores mais elevados estão, provavelmente, mais propensos a quedas e à dependência menor ou maior nas atividades da vida diária.

Caminho da fé: reflexões sobre lazer e ambiência

This study, of qualitative nature, it aimed to investigate attitudes capable to foment pro-environmental behaviour, during one walked. The "Caminho da Fe" was chosen, with 425 km-itinerary trail between Tamba and Aparecida/SP, which attracts tourists, physical activities performers and religious persons. After a literature review on the thematic one, was made an exploratory research, with a random sample, of seven adults, of both sexes, using a mixed questionnaire and "Thompson e Barton's Scale of Ecocentrism and Anthropocentrism", applied in the stop places, or three times: at the beginning, in the middle of the way and at the end of the itinerary. The qualitative analysis was made by the use of "Thematic Content Analysis", with results also presented in a percentile way, to illustrate. As conclusion, it is inferred that, even the stimulation has ceased with the ending of the hike, the intensity, amount and quality of the experience had stimulated reflection processes, associated to variations on physical and social environmental conditions, the predispose to the dialogue and the symbolic identification, at which, had collaborated so that the participants had been able to perceive possibilities of conduction and transitions of values and new senses for their lives.

A música como recurso cênico de palhaços: Cia. Teatral Turma do Biribinha e Circo Amarillo

Pós-graduação em Artes - IA

O ato de desgovernar e sua anatomia regional

Pós-graduação em Medicina Veterinária - FMVZ

O álbum na indústria fonográfica: contracultura e o Clube da Esquina em 1972

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O instinto de americanidade em Americanas (1875) de Machado de Assis (1839-1908)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O Gospel é pop: música e religião na cultura pós-moderna

Pós-graduação em Música - IA

Caminho da fé: pedestrianismo, estados emocionais e reflexões sobre a ambiência

Pós-graduação em Ciências da Motricidade - IBRC

Para fazer chorar as pedras: o gênero musical guarânia no Brasil, décadas de 1940/50

Pós-graduação em Música - IA

Sonoridades beckettianas: a criação vocal do intérprete

Pós-graduação em Artes - IA

O concerto para viola e orquestra de Antônio Borges-Cunha: forma e interpretação

This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.

Contribuição de indicadores bibliométricos para a pesquisa em Ciência da Informação: análise da produção científica em Odontologia no Brasil

This paper aims at contributing with research about Information Science through analysis of Bibliometric indicators applied to Dentistry in Brazil, comparing the impact of such production with the ones from major countries in that field. The analyzed indicators are the following: total number of citations, self-citations, average of citations received a year and index h. Within the procedures, we outlined, in the Scimago Journal Rank (SJR) the group of producing countries in the field of Dentistry from 1996 to 2009. The results show that Brazil is the only country in Latin America which is among those of major impact in Dentistry. We highlight the role of the Bibliometric indicators as methodological contribution to the research while pointing out the main “performers” in the knowledge field.

O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil)

This biographical and bibliographical research aimed understanding the circus and its clowns. The origin of the circus is presented taking into account its earliest manifestations in ancient Greece, until the creation of the modern circus in 1970 by Englishman Philip Astley. The clown, who was introduced in 1778 only after the circus has become an essential figure in the show, coming to represent the modern circus. Here, the different types of clowns are presented and their main characteristics are shown as a way to differentiate between them. The difficulties faced by circus companies are pointed, trying to understand the reduction of circus companies. To understand the formation and transformation of the clown in his years at the profession, the Clown Pára-quedas, artist of Bauru / SP was interviewed, their stories help to unravel some of the satisfactions of the profession and the problems faced by circus performers.