A figura do herói antigo nas crônicas medievais da Península Ibérica (séculos XIII e XIV)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A figura do herói antigo nas crônicas medievais da Península Ibérica (século XIII e XIV)

Pós-graduação em História - FCHS

Influxos do céu na existência dos homens. Os escritos astrológicos na Península Ibérica (séculos XIII, XIV e XV)

Pós-graduação em História - FCHS

A construção do olhar: a Viagem à Itália, de Goethe

Investiga-se a Viagem à Itália de Johann Wolfgang von Goethe, obra que narra a viagem à península italiana de 1786 a 1788, publicada em 1816-1817. Contudo, mais do que uma reconstrução de sua viagem através das memórias e diários, a Viagem importa, antes de mais, como uma narrativa da construção de um novo olhar para com a obra de arte, como a construção da própria estética goetheana.

Intelectuais e imprensa: a configuração de uma rede hispano-americana no espaço atlântico

Este artigo trata da configuração de uma rede intelectual de dimensão internacional que uniu a América Latina e a Península Ibérica, a partir de meados do século XIX. Objetivamos analisar o papel dos intelectuais e órgãos de imprensa na formação dessa rede e discutir suas idéias e projetos, à luz do contexto político e do debate cultural. Consideramos que a ação dos intelectuais e da imprensa contribuiu para a configuração de um espaço singular de circulação de idéias e de formação de uma opinião pública ibero-americana.

Os cenários políticos da intervenção portuguesa na Banda Oriental do Uruguai (1811 e 1816)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As imagens da Espanha em A jangada de pedra (1986), de José Saramago

Pós-graduação em Letras - FCLAS

Nas melodias da toada: riso e performance no cururu paulista

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Diversidade de helmintos de Notothenia coriiceps Richardson, 1844 da Baía do Almirantado, Ilha do Rei George, Antártica

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O canto dos helenos: poesia e performance

This study presents a brief reflection on the genesis of literary genres in Ancient Greece. It is intended here, in the first place, take us off this "comfort zone" when we talk about "Greek literature" in antiquity, at least from the period of Homer until the fifth century. B.C. , moment when, in fact, the writing has become stable not only in the continent but spreads out reaching the Italian peninsula and generating what we have today as the Roman alphabet. Therefore, we examine some terms that appear to be so clear for us which termed other doings, such as poetry, poem, among others. We also examine issues concerning the epic, lyrical and dramatic poetry.

Um espelho esmaecido: o reino visigodo de Toledo, cristianismo e monarquia

This paper aims to present some characteristics of Hispania in Late Antiquity and Early Middle Ages (4th-8th centuries). Search through a brief analysis of the relationship between Christianity and the Catholic Monarchy stood raise some issues and questions. We understand that Christianity has played and plays a significant role in the historical development of the Iberian countries. But in its installation and attempt to consolidation as hegemonic religion in the peninsula, faced several challenges. His alliance with the monarchy stood represented one of the ways to make stronger its dominance. In turn, the Monarchy, preserving its characteristic elective associated strongly with Christianity, giving him a theocratic character trying to raise the sovereign above the fray aristocratic, without much success. Thus, our text points to some of the paths followed by these two elements, Christianity and Monarchy at the time of the Kingdom of Toledo, proposing more reflections and ways that effectively covering them. We hope to have achieved it.

De um falsário a outro, de patranhas viageiras a legados críveis (século XV)

In the 15th and early 16th centuries, when traveling eastward and westward no longer proved extraordinary, travel writings, such as those of Marco Polo or Jean de Mandeville, were printed and reprinted and have been in the world of exchanges and acquisitions both in Portugal and in other parts of Europe. However, although they have played a key role in defining foreign worlds for Europe, reflecting the aspirations of their time and providing news about the universe to be discovered, these reports do not always necessarily tell of trips that were actually taken. Several of them, on the contrary, do no more than draw together, for contemporary readers, passages of interest taken from other writings; passages which, based on their regularity and frequency, would allow for a narrative staged as travel to be taken as truth for contemporaries and immediate successors. In the Iberian Peninsula of the late 15th century, an account written by an author about whom nothing is known, Gomez de Santisteban, who defines himself as a companion of Prince Pedro on a supposed trip to the Holy Land, was among those reports integrated into the description and the perception of the land being discovered. The driving question of this paper is, therefore, how Santisteban, though he wrote memories of trips that he did not take, achieved credibility like those travelers whose trips have been recognized as authentic.

A arte de recriar lendas e mitos: inrtextualidade e antropofagismo

Brazilian folklore is rich in legends that inhabit in the imaginary of people and are believed to have originated among Brazilian indigenous peoples and the Africans who were enslaved by Portuguese settlers. However, when those stories are compared with the legends of the Iberian Peninsula , one can notice that a lot of elements in the Brazilian legends clearly reflect, for example, aspects of the popular narratives from Galicia and Portugal, such as “The moors” and “Yara’s legend”; “O trasno” and “Saci pererê”. The objective of this paper is to analyze those cultural traces by means of Comparative Literary and Intertextuality analysis, by observing how the context , the ruling ideology, and both social and cultural aspects retake the stories that are known to a certain culture and readapt them according to the traditions of another, thus producing new discourse-texts with local characteristics.