A memória dos carnavais Afro-Paulistanos na cidade de São Paulo nas décadas de 20 e 30 do século XX

Current analysis deals with memoirs of Carnivals celebrated by Negroes in the city of São Paulo during the 1920s and 1930s. The narrative tries to investigate the trajectory of the Afro-Brazilian group and the spaces used to express its performances during the festivities dedicated to Momo throughout the city of São Paulo, which was still characterized by wealthy people that controlled its several sections. Several discussions are endeavored to perceive the spaces fabricated by the group and its strategy to get together and celebrate Carnival (officially or non-officially). The form and meanings of playful art represented by such festivities are also highlighted.

O projeto Machadianas: Machado de Assis, o Ágora Teatro e a narrativa em cena

Pós-graduação em Artes - IA

As mulheres anarquistas na cidade de São Paulo: 1889-1930

Pós-graduação em História - FCHS

O Regime militar no discurso-memória da Igreja Católica na região metropolitana de São Paulo (1964-1985)

Pós-graduação em História - FCHS

Iniciação musical ao piano para crianças: um olhar sobre a prática pedagógica em conservatórios da cidade de São Paulo

Pós-graduação em Música - IA

Refuncionalização de Brownfields: estudo de caso na zona leste de São Paulo-SP

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O processo GEO na cidade de São Paulo e a Gestão Ambiental Urbana: uma análise a partir da Política Municipal de Áreas Verdes

Pós-graduação em Geografia - IGCE

A folia de momo na cidade de São Paulo na percepção da imprensa e dos artistas do traço: 1960/1964

The discussion of this paper focuses on the search for demarcation of the Momo merriments in the city of São Paulo between 1960 and 1964, aiming to apprehend their specific traits at that juncture. It is known that the Brazilian Carnival, and in its sphere the São Paulo City one, has been steadily becoming enshrined in profile by popular segments. However, in that decade onset such festivities were going through certain peculiarities because it was a period characterized by many changes. The city of São Paulo, particularly, was experiencing an accelerated process of urbanization and consequent massification, as well as a moment of significant expansion of the cultural industry and mass communication means. Were the Momo revels immune to this process? What was the profile of these amusements in the city?