10 resultados para POESÍA BRASILEÑA

em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"


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A partir de uma seleção de dezesseis poemas metalinguísticos dos livros Liturgia da Matéria (1982), Mínima Lírica (1989), Trovar Claro (1997), Macau (2003), Tarde (2007) e Formas do Nada (2012) pretendeu-se chegar ao que se chama aqui de A Poética de Paulo Henriques Britto. Tal poética compreende as características e temas mais frequentes em sua poesia, bem como quais recursos expressivos são mais evidentes em cada um dos livros. Paulo Henriques Britto, tradutor, professor e escritor com sete livros publicados (sendo um deles de contos), lançou seu primeiro livro de poesias, Liturgia da Matéria, em 1982 e vem ganhando destaque no cenário da poesia brasileira contemporânea. Em 2004 ganhou um dos maiores prêmios literários do Brasil, o Prêmio Portugal Telecom, com o livro Macau lançado em 2003. Pretende-se que o estudo aqui feito acerca da poesia de Britto não fique restrito a si, mas que traga contribuições para a crítica da poesia brasileira contemporânea, já que ainda se carece de uma quantidade de material critico relevante, o que muitas vezes dificulta o ensino e a aprendizagem de tal poesia. Assim, a análise da poesia metalinguística de Paulo Henriques Britto pretende descobrir, em parte, quais os novos rumos que a produção de poesia tomou no Brasil. Nosso corpus é composto por dezesseis poemas, sendo eles: “I”, da série “Dez Sonetos Sentimentais”, “III”, da série “Três Lamentos” e “Profissão de Fé” do livro Liturgia da Matéria; “I” e “II”, da série “Minima Poética” do livro Mínima Lírica; “II” e “VII” da série “Sete Estudos para a Mão Esquerda” e “Sonetilho de Verão” do livro Trovar Claro; “II” da série “Fisiologia da Composição” e “Biodiversidade” do livro Macau; “I” e “II” da série “Art Poétique” e “5” da série “Crepuscular” do livro Tarde e “I” e “III” da série “Oficina” e o poema “Pós” do ...

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This article examines what political scientists think of the Brazilian political system, especially in regard to the relationship between the executive and legislative branches. There are two opposing camps of scholars who focus on how political parties behave in the Chamber of Deputies. While the first defends a political system that produces undisciplined representatives, the second supports a legislative organization that produces disciplined politicians.

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The article represents a theoretical and methodological approach to the analysis of organizational dynamics of political parties today, based on a study of the Party of Brazilian Social Democracy (PSDB) in the State of Sao Pãulo (period between 1988 to 2006). It is hypothesized that the structure and the institutional rules of a particular party, or even their election results, are insufficient to explain the inner workings, such as the role of party organization in the electoral system. An approach that articulates the relationship patterns, election results and posts held in the party, identified the factors that explain the political capital that circulated within the party and ensured its organizational dynamics over the period analyzed.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The management of information and knowledge has been one of the areas of expertise of the fastest growing Brazilian information science. The purpose of this work is to observe how this research front structure from the point of view of the subjects that compose and intellectual frameworks which supports. For this we have analyzed the content of scientific production published in four majo r national journals of the discipline: Ciência da Informação, DataGramaZero, Perspectivas em Ciência da Informação and Transinformação over 2000-2009. The methodology is based on co-occurrence analysis of keywords of articles and co-citation analysis of authors. For the representation and interpretation of the results are used to social network analysis (SNA). We conclude that both information management and knowledge management are closely linked areas within topics including approaches but no consensus answer from the point of view of intellectual frameworks referenced.

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The article represents a theoretical and methodological approach to the analysis of organizational dynamics of political parties today, based on a study of the Party of Brazilian Social Democracy (PSDB) in the State of Sao Pãulo (period between 1988 to 2006). It is hypothesized that the structure and the institutional rules of a particular party, or even their election results, are insufficient to explain the inner workings, such as the role of party organization in the electoral system. An approach that articulates the relationship patterns, election results and posts held in the party, identified the factors that explain the political capital that circulated within the party and ensured its organizational dynamics over the period analyzed.

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We can notice in Brazilian literature —both past and contemporary— the presence of the historical novel in its several modalities which include traditional models but also contemporary formulations that break old models with irreverence. Among them are the historiographical metafictions (Hutcheon, 1991), which propose the rereading not only of history but also of literature itself. Therefore, in the large number of historical characters which are fictionalized by contemporary Brazilian historical novel in the last decades, this essay intends to discuss how Ana Miranda engages in reading the history of Brazilian literature through fiction in three of her novels. The first is Boca do inferno (1989), whose protagonists are two of the main representatives of Brazilian colonial barroque, Father Antônio Vieira and poet Gregório de Matos. Following the chronological order of protagonist writers, the next novel to be discussed is Dias & dias (2002), whose action is centered in Gonçalves Dias, a well known poet of national Romanticism. The third is A última quimera (1995), which makes an outline of Brazilian literature at the beginning of the 20th century, dealing with Augusto dos Anjos and Olavo Bilac. By inverting some traditional viewpoints, Ana Miranda proposes, as in a palimpsest, the rereading and discussion of the national literary cânon and its construction.