A rapid, environmentally friendly, and reliable method for pesticide analysis in high-fat samples

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Evaluation of Sperm DNA Peroxidation in Fertile and Subfertile Dogs

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Aracne e Palas: uma trama de sentido - estudo semiótico de metamorfoses, de Ovídio (Liber VI, 01-145)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Isolamento e enumeração de Listeria monocytogenes em produtos cárneos comercializados no varejo da região de Botucatu, SP

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Concepções da sexualidade romana na Inglaterra vitoriana: a leitura sobre Ovídio

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Das orientações curriculares de língua estrangeira da educação básica do Estado de São Paulo para as atividades nos cadernos de inglês: uma proposta de avaliação

Pós-graduação em Estudos Linguísticos - IBILCE

Metabolic parameters of postmenopausal women after quinoa or corn flakes intake - a prospective and double-blind study

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

As representações de Medeia nas Metamorfoses de Ovídio e na Argonáutica de Apolônio de Rodes

This paper focuses on how the ancient roman poet Ovid’s approach on the mythical character Medea in Metamorphoses Book VII relates to the presence of the character in the Hellenistic greek epic poem Argonautica of Apollonius Rhodius, once the Greek author is known to influence the Roman. Although Ovid’s narrative goes further and focuses on events subsequent to the Argonauts travel, the relationship between the two works allows to address two aspects: the inner monologue and the anxieties of Medea which, by their turn, draw a timeline of the historical influence of Euripedes’ tragedy Medea; going through Apollonius and eventually arriving at Ovid; and the description of Medea’s magical practices and powers, used in Argonautica to protect Jason, which are widely described in Metamorphoses when she rejuvenates Aeson, the hero’s father. It is intended not only to point out aspects of character related to these topics, but primarily to address the mechanisms that can identify the direct influence of Apollonius on Ovid

A figura de Dido em Virgílio e Ovídio: uma análise da rainha cartaginesa na Epopeia e na Elegia

This paper has been written as monograph. Its objective is to create a scene of the way the queen Dido is constructed in Virgil's Aeneid and in Ovid's Heroid 7, aiming a comparison between the two constructions of this character, to establish their resemblances and differences. Thus we are able to build the picture that both writers composed for this so important woman for latin literature

Interdiscursividade em Ovídio: recorrências expressivas entre Amores II, 4; Pônticas III, 8 E Tristes I, 11

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)