As construções de identidades nacionais: as óticas poéticas de Agostinho Neto e Fernando Pessoa

Pós-graduação em Letras - FCLAS

Canción popular, nacionalismo, consumo y política en Chile entre los años 40 y 60

Popular urban music is a typically modern cultural event. Its production, distribution and consumption occurred during the process of urbanization of Chile and in a period of growing availability of technological resources. The broadcasting by the mass media allowed popular urban music to reach a larger audience than the local public. Therefore it did not take long time for popular urban music to become a means of cultural homogenization within the parameters of the market system of production and distribution of music, in Chile. This article aims to map the connections between folk music and popular music, with the formation and consolidation of a consumer market for music in Chile. Besides it considers the use of popular music in the forfties and the sixties as a political tool by different groups of the Chilean society, during a time when arts were considered within the controversies about the national identity that arose in different Latin American countries.

Nos gramados do Sul: A seleção baiana de futebol e o torneio do Centenário da Independência em 1922

This article aims to understand how the participation and performance of the state of Bahia at the I Campeonato Brasileiro de Seleções (I Brazilian Soccer Championship), also known as the Torneio do Centenário (Centenary Championship) in 1922 represented an opportunity for the state to claim a centrality in the formation of a national identity associated with soccer. The tournament was conceived as a draft for the formation of a national soccer team that would participate in the VI Campeonato Sul Americano (VI South American Championship) in Brazil. In addition, the event also came to be regarded as a celebration of the fi rst centenary of the Independence, a date that has encouraged the country to refl ect upon its national identity, as well as to reconsider its insertion in modernity. Bahia did well in the tournament, ensuring the second position. As a result, the local press went on to claim the participation of their athletes in the national team and to criticize the disregard of the states of Rio de Janeiro and São Paulo towards the Northern region of the country. The local press would also challenge the policies of the Confederação Brasileira de Desportos (Brazilian Sports Confederation), the CBD, claiming that they favored the Southern states. Moreover, for the local elites the success of Bahia in the tournament represented the strength and greatness of the state, which gave them the right to claim a greater space and role in the destiny of the country. Finally, the performance of Bahia and its consequences have allowed us to question the limits and peculiarities of the formation of a national identity through the sport, at a moment when the country sought to rethink their identity historically marked by disputes and regional tensions.

Reconfigurando la canción, reinventando la nación: La folclorización de la música popular en brasil y en chile en los años cuarenta y cincuenta

At the middle of the twentieth century, between the forties and the fi fties, especially after the Second World War, the endless debate concerning national identity was taken up again in Latin America with a new focus. Mass culture, especially popular music with ties to the music industry, was shaped by its great capacity to spreadshown through its assorted forms of production, circulation and consumption- as one of the main areas of dispute related to the question of what is considered to be national. During that period there were important debates in Brazil and Chile about the selection, preservation and perpetuation of a certain repertoire of popular urban music as being representative of national folk music. These debates, which are analyzed starting from discursive representations driven by the written press, in both the specialized academic and the large-circulation press, constitute the central focus of this article.

Frei Agostinho de Jesus e as tradições da imaginária colonial brasileira: séculos XVI-XVII

Pós-graduação em Artes - IA

Al di là del Piave: italianos e estrangeiros na comunicação mediada por computadores

Pós-graduação em Ciências Sociais - FFC

A identidade nacional e a formação do espaço-nação na experiência literária da geografia de Dona Benta, de Monteiro Lobato

Pós-graduação em Educação - IBRC

O espetáculo da moral em Schiller

Pós-graduação em Filosofia - FFC

Uma hora em comunhão com a Pátria: o canto orfeônico na atuação pedagógica da Professora Lúcia Gissi Ceraso na escola pública de Franca de 1950 a 1971

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Os viajantes estrangeiros nos periódicos cariocas (1808-1836)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Carlos Octavio Bunge e José Ingenieros: entre o científico e o político : pensamento racial e identidade nacional na Argentina (1880 – 1920)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Vozes do Império: Estados Unidos e Argentina no debate político da imprensa brasileira (1875 – 1889)

Pós-graduação em História - FCLAS

Caipira no palco: teatro na São Paulo da Primeira República

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

La disputa territorial campesina: estudio en la region de San Agustin en Tarija - Bolivia

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Prescrições médicas contra os males da nação: diálogos de Franco da Rocha na construção das Ciências Sociais no Brasil

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)