Mandibular glands in reproductives of asian termite coptotermes gestroi (Isoptera: Rhinotermitidae)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Secretion of salivary glands of the Brazilian termite Serritermes serrifer Hagen&Bates (Isoptera: Serritermitidae)

The salivary glands of termites are composed of several secretory acini connected by ducts. These glands, in the Brazilian termite Serritermes serrifer, were examined through the electron microscope. The ultrastructure of worker salivary acinus revealed central ductule cells and four different types of cells. Cells of type I contain an abundance of electron-lucid vacuoles of various sizes which fuse to form enormous vacuolar structures that fill up most of the cell. Cells of type II are narrow cells in which the secretion is contained in small clear vacuoles of approximately equal diameter. Both of these cellular types have numerous Golgi bodies and rough endoplasmic reticulum. Type III or parietal cells have an apical plasma membrane deeply infolded and lined by microvilli. This type of cell is located in the acinar periphery and occurs in pairs. Cells of type IV are completely filled with electrondense secretion. The secretory granules can be small in some cells or large and similar to fingerprints in others. This is the first report of the occurrence of these spiral or concentric rings of dense material in the salivary gland of Isoptera.

Secretion of salivary glands of the Brazilian termite Serritermes serrifer Hagen & Bates (Isoptera : Serritermitidae)

The salivary glands of termites are composed of several secretory acini connected by ducts. These glands, in the Brazilian termite Serritermes serrifer, were examined through the electron microscope. The ultrastructure of worker salivary acinus revealed central ductule cells and four different types of cells. Cells of type I contain an abundance of electron-lucid vacuoles of various sizes which fuse to form enormous vacuolar structures that fill up most of the cell. Cells of type II are narrow cells in which the secretion is contained in small clear vacuoles of approximately equal diameter. Both of these cellular types have numerous Golgi bodies and rough endoplasmic reticulum. Type III or parietal cells have an apical plasma membrane deeply infolded and lined by microvilli. This type of cell is located in the acinar periphery and occurs in pairs. Cells of type IV are completely filled with electrondense secretion. The secretory granules can be small in some cells or large and similar to fingerprints in others. This is the first report of the occurrence of these spiral or concentric rings of dense material in the salivary gland of Isoptera.

Morfologia, ultraestrutura e morfometria do tegumento da paca (Cuniculus paca)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A malandragem na construção da Ópera do Malandro de Chico Buarque: uma análise literária e musical

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Estabelecimento e superação de dormência em sementes de Erythrina speciosa Andrews

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Tradição e modernidade em Sousândrade

Pós-graduação em Letras - IBILCE

O eterno feminino: arquétipos literários em Mujeres de Eduardo Galeano

Le champ littéraire est plein d’oeuvres qui remettent à des mythes. L’ensemble de récits Mujeres, de Eduardo Galeano, a comme thématique la femme et il est composé par des micro-contes, genre narratif qui promeut une condensation maximale d’eléments thématiques et structuraux. Il s’agit des descriptions littéraires où la synthèse est placée ou même niveau que le lyrisme. Ayant pour objectif d’analiser la nature archétypique des mythes sur la féminité, nous avons travaillé spécifiquement les contes de Mujeres où se reconstruisent poétiquement des mythes de la féminité. Méthodologiquement, notre notre étude a pour base la mythocritique et la théorie des structures anthropologiques de l’imaginaire ídéalisées par Gilbert Durand. En partant de ces bases, nous avons réalisé l’analyse des récits qui s’articulent en notre corpus, ayant pour but, celui d’identifier les divers artifices narratifs spécifiques qui y opèrent. Par le moyen des mythèmes présents dans les récits, nous avons révélé les structures archétypiques du texte et nous avons constaté comment elles s’édifient littérairement. En outre, nous avons élucidé la teneur de la représentativité archétypique de la feminité inhérente aux récits et finalement, nous avons rassemblé les situations et les combinatoires qui existent dans l’ensemble de microrécits, traçant les connexions possibles qui y existent. Ainsi, nous avons fait une étude proprement dite, d´analyse mythocritique

Chave de identificação interativa de múltiplas entradas para espécies da família Lauraceae da Reserva Natural Vale, Linhares - ES

Foi elaborada uma chave interativa de múltiplas entradas para a identificação de 50 espécies da Família Lauraceae presentes na Reserva Natural Vale, Linhares-ES. Desenvolvida a partir da versão livre do Programa Lucid® 3.3, apresenta caracteres botânicos de marcação livre e não sequencial, que elimina as espécies as quais não atendem aos critérios selecionados até a identificação do material. Para tanto foi confeccionada uma matriz de caracteres relacionados aos táxons. Foram incluídas ilustrações no final do trabalho já que a versão utilizada do programa compromete a resolução dessas na própria chave. Há uma cópia da chave com o instalador do programa e instruções para uso no CD-ROM entregue junto com o trabalho. Futuramente estará hospedada no site do programa. A versão apresentada no trabalho é preliminar e será concluída posteriormente com a versão paga do programa. A utilização das chaves interativas facilita e dinamiza o processo de identificação dos táxons, contribuindo para a difusão do conhecimento biológico e de programas voltados ao reconhecimento e conservação da biota

O Grande Mentecapto: romance carnavalizado

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Retratos da Espanha em Os fantasmas de Goya

1792, Madri. After years of inactivity, the Spanish Inquisition is born again with the mission of containing the laic winds that blow from the revolutionary France. Inês Bilbatúa, a rich merchant’s daugther, is victim of the inquisitorial machinery which tortures and violates her, through one of their abetters, the Dominican monk Lorenzo. Before being arrested, the young lady had served as model for the painter Francisco of Goya, who had also portrayed the monk Lorenzo. The Aragonese painter’s figure serves as narrative conductor of a history that narrates the young Inês’ via crucis and, at the same time, it recreates the historical scenery of the Napoleonic invasion (1808), through a basic element, the painting. Our work intends to analyze the relationships among movie, painting and history present in “Goya’s ghosts” (2006), of the Czech director Milos Forman (1932) - whose script was adapted to a homonymous book in 2007 -, a movie that is based on the artistic production of Francisco of Goya y Lucientes (1746 -1828), official painter of Carlos’ IV (1788 -1808) court and the most lucid columnist of his time, that knew how to capture in his works the religious fanaticism, the populist fervour, the governor’s hypocrisy and the horror and the violence of the war.