46 resultados para Intelectuais Inglaterra

em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"


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Este artigo trata da configurao de uma rede intelectual de dimenso internacional que uniu a Amrica Latina e a Pennsula Ibrica, a partir de meados do sculo XIX. Objetivamos analisar o papel dos intelectuais e rgos de imprensa na formao dessa rede e discutir suas idias e projetos, luz do contexto poltico e do debate cultural. Consideramos que a ao dos intelectuais e da imprensa contribuiu para a configurao de um espao singular de circulao de idias e de formao de uma opinio pblica ibero-americana.

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Com o objetivo de compreender a trajetria intelectual de Afonso Taunay pretende-se analisar os intercmbios estabelecidos entre este historiador e parte de sua rede de sociabilidade reunida em torno da escrita da Histria de So Paulo no perodo de 1911 a 1929. Acredita-se que o Museu Paulista assumiu o papel de possibilidade para a escrita da Histria realizada pelo autor, facilitando a aquisio de obras e documentos, bem como fortalecendo conexes importantes para a concretizao de suas obras. A correspondncia apresenta-se como principal fonte deste estudo.

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Ps-graduao em Educao Matemtica - IGCE

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Ps-graduao em Histria - FCHS

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Conselho Nacional de Desenvolvimento Cientfico e Tecnolgico (CNPq)

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Fundao de Amparo Pesquisa do Estado de So Paulo (FAPESP)

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Coordenao de Aperfeioamento de Pessoal de Nvel Superior (CAPES)

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Conselho Nacional de Desenvolvimento Cientfico e Tecnolgico (CNPq)

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Este artigo discute o desenvolvimento dos conceitos democracia e sociedade civil, no Brasil dos anos 70. Defende a premissa de que seu incio foi fortemente marcado por intelectuais acadmicos de matriz marxista. Aponta que foi possvel desenvolverem-se esses conceitos por uma vertente da dependncia estrutural e da concepo de Estado burocrtico-autoritrio.

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Ps-graduao em Histria - FCHS

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The resistance to the military dictatorship in Brazil (1964-1985) had many faces, especially among intellectuals. This article will discuss the activity of some writers and journalists in the process of articulation as leftist intellectuals in opposition to the military regime, as "cultural resistance" in various forms assumed in the context of politicization of culture and cultural goods market in the mid 1960s.

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Culture and the arts in Brazil were impacted directly by the military coup from 1964 onwards. In spite of repression and censorship, the activity of intellectuals and artists in the pre-1964 period was not interrupted nor became stagnant, but gained even greater force due to the presence of control and restrictions by the institutions of repression over against the freedom of creation and thought. As in many sectors of cultural production, literature played a vigorously combative role against the arbitrariness of the regime and implemented projects of resistance on the basis of key elements of representation. This occurred, for instance, through the writing and circulation of works such as Pessach: a travessia, by journalist Carlos Heitor Cony, and Quarup, by journalist Antonio Callado. The two novels enabled a broad debate on the narrative form and the scope of involvement in the literature of the 1960s, such as the confrontation between Paulo Francis and Ferreira Gullar in the pages of Revista Civilizao Brasileira, which is the focus of this article.

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The Comando dos Trabalhadores Intelectuais (CTI) was a group, a space of organization and representation of brazilian intellectuals and artists and that, previous to the military coup in 1964, participated of the debates and fomented the inclusion of sectors of the national intelligentzia in the democratizations process of the culture. His insertion politics, of the point of view of the effervecence lived for the organized socials movements in Brazil in the years of Joo Goularts government, bring elements to detail the dynamics of the cultural lefts organizations that had emerged of the reviews process of Brazilian Communist Party (PCB), since 1958. The relevance of CTI is confirmed when understand it like an organization that congregated many intellectuals and artists that, after of the military coup in 1964, had been presents in the artistic and cultural brazilian scene, doing resistance to the military governments that if had occurred in the next decades.