Técnica e humanismo na poesia de Michel Deguy

Conselho Nacional do Desenvolvimento Científico e Tecnológico (CNPq)

Práticas de cura místico-religiosas, psicoterapia e subjetividade contemporânea

Nous avons analysé les résultats d'une recherché sur les pratiques de guérison mystico-religieuses (chez les Églises Évangéliques et Catholique Renovée, et chez l'Oumbanda). Ainsi que leur comparaison avec le traitement fourni, chez les Ambulatoires de Santé Mentale publiques, aux individus se plaignant de souffrance psychique. L'analyse statistique a révélé que les pratiques de guérison mystico-religieuses sont efficaces à la solution des problèmes de ceux qui les ont cherché, en surmontant, dans le court délai, l'efficacité obtenue par les pratiques ambulatoriales. Un des principaux moyens d'efficacité des pratiques de guérison mystico-religieuses consiste dans l'offre de sens de diverses nuances, d'où se ressort le sens radical de teneur imaginaire, qui implique en des adhésions institutionelles du type fanatique ou ritualistique en bonne partie des cas. Les pratiques de guérison mystico-religieuses semblent fonctioner comme des orthopédies des maladies de l'individualisme contemporain, en réinstallant, par des moyens syntoniques, quelque fonctionalité de la catégorie individu. Comme suite de l'analyse, nous arrivons à l'hypothèse sur l'existence d'une Culture du Mysticisme en état avancé de formation dans le contexte brésilien, comme conséquence des caractéristiques culturelles et des effets de la perturbation des rapports du sujet avec le domaine du symbolique, dans les sociétés de consommation mondialisées à exclusion sociale accentuée et affectées par une importante crise de sens, conséquence de l'ébranlement des idéaux les plus basilaires du libéralisme.

Sob a luz crepuscular: uma leitura de Ao entardecer (1901), do Visconde de Taunay

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Entre gestos e práticas: leituras de mães, professoras e meninas de um centro de referência down

Pós-graduação em Educação - FFC

O teatro do mundo no mundo do teatro: a obra de Paulo Corrêa de Oliveira

Pós-graduação em Estudos Literários - FCLAR

O Comando dos Trabalhadores Intelectuais e a formação das esquerdas culturais na década de 1960

The Comando dos Trabalhadores Intelectuais (CTI) was a group, a space of organization and representation of brazilian intellectuals and artists and that, previous to the military coup in 1964, participated of the debates and fomented the inclusion of sectors of the national intelligentzia in the democratization’s process of the culture. His insertion politics, of the point of view of the effervecence lived for the organized socials movements in Brazil in the years of João Goulart’s government, bring elements to detail the dynamics of the cultural left’s organizations that had emerged of the review’s process of Brazilian Communist Party (PCB), since 1958. The relevance of CTI is confirmed when understand it like an organization that congregated many intellectuals and artists that, after of the military coup in 1964, had been presents in the artistic and cultural brazilian scene, doing resistance to the military governments that if had occurred in the next decades.

A revista civilização brasileira: projeto editorial e resistência cultural (1965-1968)

During the first years of the military dictatorship, established in Brazil through a coup d'État, a number of institutions which repression had left unarticulated began a process of resistance and opposition to the military government. Cultural resistance was one of the consecrated forms of resistance that was exercised by intellectuals, artists, professors and cultural producers, among others, and that became an unprecedented political and cultural phenomenon in the country's history. Political, insofar as it aided in the process of re-organizing left-wing political parties and in the revision of the ideological postulates of its preeminent party, the PCB (Partido Comunista Brasileiro - Brazilian Communist Party). Cultural, because this re-organization occurred, frequently, within the ambit of cultural productions, in which the left created a space for contestation and engagement through the arts and intellectual activities. Within this process, between the years 1965 and 1968. The journal Civilização Brasileira became an important space for the building of leftist cultural resistance against the military dictatorship. The journal was able to impose its political legitimacy while at the same time participating actively in a market o cultural goods sustained by the so-called cultural hegemony of the left.

Folhetins teatrais e transferências culturais franco-brasileiras no século XIX: questões de uma edição da Semana Lírica de Martins Pena

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

As especificidades da tradução de literatura infantojuvenil: análise de três traduções de Voyage au Centre de La Terre (Viagem ao Centro da Terra), de Jules Verne

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

É, não sou: ensaios sobre os afro-sambas no tempo e no espaço

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Experiências com livros que exploram a sua materialidade: mediações e leituras possíveis

Pós-graduação em Artes - IA

Cómo se puede implementar la Historia Oral en Educación Matemática?

What is known today as “Oral History” is a research methodology which, in Brazil, has been widely used in the field of cultural studies by sociologists, anthropologists, and historians. Oral History was first introduced in Brazil with studies in social psychology and then spread to many other academic spheres, with the field of mathematics education being one of the most recent to adopt this method as one of its theoretical-methodological references. Topics such “What Oral History is” and “How Oral History can be implemented in mathematics education” are the foci of this paper.