Palavra de púlpito e erudição no século XIII: A Legenda aurea de Jacopo de Varazze

A partir da consideração do mais importante exemplar da hagiografia medieval, a Legenda aurea do dominicano Jacopo de Varazze, o texto pretende discorrer sobre os diversos níveis de erudição dos clérigos cristãos no século XIII e sua importância para a consideração das fontes documentais do período.

Myths and facts in the chronicles of the conquest of Ancient Peru

The chronicles of historical sources are difficult because they are a mix of myths and facts experienced by their authors. Starting from this premise, this study analyzes some of the Spanish and indigenous sources on the conquest of the Inca people and the description of this world and people who were so different. Among the chroniclers chosen, the article highlights the reports by Jose de Acosta on the Mundus Novus and by Cieza de Leon and Garcilaso de la Vega on the myths of the first Inca chief; finally, Francisco de Xerez, Juan de Betanzos, among others, on the event of the imprisonment and murder of Atahualpa, which resulted in the conquest of the "Tahuantinsuyu" by the Spanish.

A máscara chinesa: Notas sobre uso das fontes produzidas pelo aparato repressivo da ditadura militar

The methodological aspects which the historians face when using documents produced by the Brazilian military dictatorship on the leftist movements which intended to trigger the revolutionary struggle are analyzed. Whereas the strategy of the repressive regime in producing and establishing the 'truth' is enhanced, the resistance strategies of the political forces targeted by the repressive apparatus are investigated. The documents on the political organization called Marxist-Leninist Popular Movement have been employed.

A presença da matemática na escola Liceu Cuiabano: uma perspectiva histórica

Pós-graduação em Educação Matemática - IGCE

Animação quadro a quadro: uma experiência didática no ensino da História

Pós-graduação em Educação - FFC

A ferrovia e o automóvel: ícones da modernidade na cidade de Bauru (1917-1939)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Imagens metaficcionais de Cristovão Colombo: uma poética da hipertextualidade

Pós-graduação em Letras - FCLAS

Um estudo histórico sobre as práticas psicanalíticas institucionais com crianças autistas no Brasil

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Sobre a formação do professor de Matemática no Maranhão: uma cartografia possível

Pós-graduação em Educação Matemática - IGCE

Uma perspectiva sociológica do conhecimento matemático

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Para ler nos caminhos de ferro: o Almanach Litterario de São Paulo (1876-1885)

Analiso, neste artigo, a circulação do Almanach Litterário de São Paulo, periódico editado anualmente de 1876 a 1885, com a exceção de 1882 e 1883. A abordagem inclui o quadro de autores, os gêneros de textos publicados e suas principais temáticas. O trabalho com a fonte permite compreender a formação da sociedade letrada paulista nas últimas décadas do século XIX.

Penápolis/SP no contexto migratório: os seus registros e significados (1940-1970)

O presente artigo apresentará as possibilidades de fontes objetivando uma inteligibilidade sobre a alteridade e a sociabilidade de pessoas oriundas de diversos países, tais como Itália, Espanha e Portugal e de diversas regiões do Brasil. Com seus descendentes, habitaram desde a década de 1940 os bairros rurais denominados Araponga, Paraguai e Saltinho do Coroado localizados em um município da região Noroeste do Estado de São Paulo, fundado em 1908, denominado Penápolis.

A intersemiose texto-história-cinema na minissérie ROMA da HBO

From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.

Notas sobre os historiadores e suas fontes

The aim of this text is to discuss the different meanings attributed to notions of historical sources and documents from the nineteenth century, when history was constituted as a discipline. It is important to point out the centrality of this issue to the different conceptions about the production of knowledge in this field.

As relações de trabalho e a resistência escrava em Sant'Ana de Paranaíba: província de Mato Grosso (1828- 1888)

Pós-graduação em História - FCLAS