O silêncio das musas: Épico, ciência e poesia em Haroldo de Campos

The epic and science seem to have been the most important concerns of the Brazilian author Haroldo de Campos (1929-2003) in his last twenty years of life. The books Finismundo: a última viagem and A máquina do mundo repensada are two significant works in his aesthetical journey. This paper presents some strategies for reading both books, in which the relationship between those themes is emphasized. As a starting point, it is believed that the analogy between science and the epic does not represent a paradigm of reading on which the poetry of Harold de Campos intends to base itself, but a way of thinking about the political and literary concerns that constitute its own situation. The creation of a poetics of adventure as an alternative to the end of utopia and the affirmation of a principle of indeterminacy as a way to oppose the interpretations immediately available in the present constitute two of the main interests found in this mode of reading.

Origo Vitae: Um diálogo intertextual entre Haroldo de Campos e Gustave Courbet

This work intends to undertake a comparative reading of two works of two different artists: The painting The Origin of the World by Gustave Courbet and the poem Origo Vitae by Haroldo de Campos and, from this reading, to verify how the border between the visible and the invisible may vanish and how, in a process of transcodifying, one mirrors the other in a dialogue that, besides surpassing different codes and times, produces new meanings and elicits a conversation about the act of reading these different codes.

Alegorias da totalidade: as relações entre ciência e poesia em A máquina do mundo repensada, de Haroldo de Campos

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Convergências em A Máquina do Mundo Repensada: poesia e sincronia em Haroldo de Campos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O relógio do Rosário anuncia A máquina do mundo: Haroldo de Campos relê Drummond

Considering fragments of the haroldian poem A Máquina do Mundo Repensada, this paper approximates Drummond and Haroldo de Campos. In this poem, the poetic person’s unquietness conducts him to very peculiar displacements: the one that concerns to the end of millennium, marked by the utopia’s collapse, by the subjectivity fragmentation, by the frontiers’ reconfiguration between people and places. Assuming what the drummondian fatigued eyes have seen, the poet Haroldo de Campos will (re)think his world disharmony

O sagrado em A máquina do mundo repensada de Haroldo de Campos: lições dos midrashistas

In this article we aim to discuss the treatment given to religiosity and sacral in the poem A Máquina do Mundo Repensada (AMMR), published in 2000. In spite of the existence of Bible transcriations made by Haroldo de Campos, especially in the last years of his life, we have made an option to discuss this in the poem because in its pages the religiosity and the sacral amalgamate with the poetic, revealing an interesting creative work.

O caleidoscópio dos clássicos: Haroldo de Campos (re)lê Camões

O objetivo deste artigo é discutir a leitura dos clássicos feita por Haroldo de Campos no poema "A máquina do mundo repensada", de 2000, em particular, e a leitura do cânone que o poeta empreende em sua trajetória, de um modo geral. O que se pretende elucidar é que a recepção dos clássicos por Haroldo de Campos é a base para a construção do seu projeto poético.

Haroldo de Campos e a utopia da escritura original

The aim ofthis article is to discuss the existence ofan original writing utopia in Haroldo de Campos, which seems to be more important to his work than the concretist utopia. It is possible to understand the Haroldo's poetry project since the establishment of a parallel between the epic aedo and the haroldian attitudes concerning the invention and the tradition, taking them as difference in the constitution of Haroldo's identity. Once he assumes a impossibility to rescue the origin itself, the haroldian project turns to the 'jetzeit" and that, secondly Agamben is very contemporaneous.

O mar e as viagens: épico e romance antigo em Galáxias, de Haroldo de Campos

The aim of this paper is to discuss the presence of epic and ancient romance as construction’s mechanism of the poem Galáxias by Haroldo de Campos, whose work was, all of the time, dedicated to both: innovation in poetry forms and rescue of tradition. It is quite important to investigate how epic and ancient narrative elements contribute to the meaning construction of poem Galaxias, written by Campos during thirteen years. This investigation appears to be very challenging because seems to be an opportunity to think about post-modern and post-antique, at the same time, making both instances dialogue. Galáxias seems to be exemplary to show this dialogue between present and past: it is a sea voyage book and a book as sea voyage, not only because the epic and ancient narrative have strong presence in the poem, but also because the poem central theme is the sea voyages – and the book.

Duas poéticas da leitura: radição e invenção de precursores nos projetos literários de Jorge Luis Borges e Haroldo de Campos

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A plagiotropia como procedimento de estudo relacional da criação, crítica e método de tradução de Haroldo de Campos

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Vozes das formas na poesia concreta do Grupo Noigandres

Pós-graduação em Artes - IA

A revista Artéria: uma amostragem das poéticas intersemióticas dos anos 70 aos 90

Pós-graduação em Artes - IA

A reescritura de Katherine Mansfield por Érico Veríssimo: análise descritiva da tradução para o português da obra Bliss and other stories

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)