A iman��ncia como lugar do ensino de filosofia

A inten����o do presente artigo �� pensar a problem��tica do ensino de filosofia a partir da obra de Deleuze e Guattari. Esses autores criaram uma s��rie de conceitos, em seu fazer filos��fico, para entender o que seria fazer filosofia, ou seja, para entender a atividade filos��fica que se distanciasse de uma reflex��o sobre alguma coisa e se fundasse em um ato de cria����o filos��fica. Segundo os autores, existem quatro conceitos que corroboram para entender esse fazer filos��fico, quais sejam: conceito, plano de iman��ncia, personagem conceitual e problema. Tem-se como hip��tese que tais conceitos podem contribuir para se pensar o ensino de filosofia na contemporaneidade de modo diferenciado do qual vem sendo tratado. Foi dada especial aten����o a um desses conceitos: plano de iman��ncia, engendrado na ��ltima obra conjunta desses autores, O que �� a filosofia? (1997). Buscou-se, na obra desses autores, a caracteriza����o de iman��ncia e, consecutivamente, de plano de iman��ncia para entender como se pode pensar o ensino de filosofia de forma diferenciada e de modo tal a distanci��-lo de uma adequa����o conceitual a um transcendente ou a um transcendental, a qual, no entender dos autores trabalhados, levaria o conceito de ensino a um dogmatismo conceitual. A proposta deste artigo �� buscar uma sa��da para o problema, pensando o ensino de filosofia a partir da iman��ncia mesma na qual este se produz.

A cidade da fl��nerie, do vazio e da err��ncia em Estorvo, de Chico Buarque

This article aims to perform a reading of Estorvo (1991), by Chico Buarque, trying to show that you have in the work, setting up an urban poetics of emptiness and wandering through the individual unfolded the protagonist wandering dazed and without the right direction, performs on the streets of a big city. In this respect, it is interesting to observe how a fragmented narrative - in whole and in language that conforms - is consistent with the picture of the experience of a character who, in the midst of an urban setting - with brief references to elements of the universe rural - through the experience of mutual incomprehension, violence and the impossibility of a full communication with each other, always in a dazed condition and lost fl��neur.

A ep��stola revisitada: identidade, linguagem e intertextualidade em Na����o Crioula, de Jos�� Eduardo Agualusa

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

A proximidade discursiva nas cartas dos romances A correspond��ncia de Fradique Mendes, de E��a de Queiroz e Na����o crioula: A correspond��ncia secreta de Fradique Mendes, de Jos�� Eduardo Agualusa

P��s-gradua����o em Letras - FCLAS

Entre o claro e o escuro: uma po��tica da ang��stia em Saramago

P��s-gradua����o em Estudos Liter��rios - FCLAR

Um estudo da adapta����o cinematogr��fica da figura do her��i do romance Stardust, de Neil Gaiman

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

Intertextualidade e par��dia: E��a de Queiroz entre o passado e o presente

Conselho Nacional de Desenvolvimento Cient��fico e Tecnol��gico (CNPq)

Translocation (11;19)(q23;p13.3) associated with a novel t(5;16) (ql3;q22) in a patient with acute myelocytic leukemia

A novel association of t(11;19)(q23;p13) and t(5;16)(q13;q22) was detected by G-banding and spectral karyotyping studies in an 18-year-old patient. While balanced t(11; 19) has been often described in acute myelocytic leukemia (AML) French-American-British Cooperative Group subtypes M4 and M5, this patient was diagnosed with the variant AML-M4 with eosinophilia (AML-M4Eo), which is associated with abnormalities in 16q22 and has good prognosis. However, the patient relapsed after allogeneic transplant and died within 2 years of diagnosis, which suggests that the association of these two translocations correlates with a poor prognosis. This report expands the molecular basis of the variability in clinical outcomes and adds the novel t(5;16)(q13;q22) to the spectrum of chromosome 16q22 abnormalities in AML. (C) 2003 Elsevier B.V. All rights reserved.

Characterization of a novel freshwater gigartinalean red alga from Belize, with a description of Sterrocladia belizeana sp nov (Rhodophyta)

Conselho Nacional de Desenvolvimento Cient��fico e Tecnol��gico (CNPq)

SEM analysis of the in situ early bacterial colonization on two novel feldspathic ceramics submitted to different types of glazing

Aim: The aim of this study was to evaluate in situ, the early bacterial colonization on feldspar-ceramics submitted to different glazing. Methods and Materials: Fourteen standardized disc specimens (diameter: 5 mm, thickness: 1.5 mm) of each of two micro-particulate feldspathic ceramics (VM7 and VM13, Vita) were produced according to manufacturers' specifications for a total of 28 specimens (24 for the analysis of biofilm and 4 for topographic analysis analyzing the ceramic surfaces). Specimens from each type of ceramic were submitted to two different glazing methods composing four groups: VM7 glazed using glazing liquid Vita Akzent�� 25 (G1) and glaze firing (G2), VM13 glazed using glazing liquid (G3) and glaze firing (G4). Six individuals (n=6) wore oral appliances with four ceramic specimens, fixed on the buccal face of the appliances. After 8 hours, each sample was evaluated for the presence (1) or absence (0) of bacterial colonization under a scanning electron microscope (SEM) on five randomly selected fields. The value for each sample was cumulative of the results observed in the fields. One sample from each group was evaluated under a SEM to verify the topographic pattern. Results: There was no difference with regard to bacterial colonization between the feldspar-ceramics and between the glazing types (Kruskal-Wallis non-parametric test). Conclusion: Feldspar-ceramics submitted to firing or glaze firing with Vita Akzent�� 25 present a similar condition for in situ bacterial colonization. The similar topographic pattern of the ceramic surfaces seems to have influenced the bacterial colonization.

O pop rock e a escritura po��tica em Voyages de l���Autre C��t��, de Jean-Marie Gustave Le Clezio

A literatura contempor��nea expressa o rompimento das fronteiras entre a cultura erudita e a cultura de massa ou comercial, criando formas h��bridas que convivem no interior do texto. No romance Voyages de l���autre cote (1975), de Jean-Marie Gustave Le Cl��zio, as can����es do pop rock embalam as viagens da fada Naja Naja e de seus amigos em busca do ���outro lado���. Desta forma, a impregna����o da m��sica popular �� escritura po��tica, parece ajudar a libertar a imagina����o, preparando as personagens para o encontro do infinito sens��vel.

Polymorphic Sites at the 3 ' Untranslated Region of the HLA-G Gene Are Associated with Differential hla-g Soluble Levels in the Brazilian and French Population

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

A rainha Margot em duas vers��es

This paper presents a comparative study concerning the novel The queen Margot (1845), by Alexandre Dumas father, and the homonymous movie (1994), by Patrice Ch��reau, mainly considering its historical character, the production conditions of each ���discourse��� and the personages��� performances in both narratives. The novel has been originally published in the form of feuilleton in the French newspaper La presse, during the years 1844 and 1845, what explains its long extension and the correlation among the chapters. It constitutes a trilogy, the action of which takes place during the religion wars, affording to the text the classification of a traditional historical novel, having the episode of St. Bartholomew carnage as its most striking event. Regarding the movie, which has been awarded five Cesar prizes, two rewards in Cannes Festival and an indication to the Oscar for the best costume design, it also counts with Isabelle Adjani as the protagonist actress. With a few relevant differences regarding the novel, it is remarkable that the action in the movie happens in august 1572 in a Paris that is the center of conflicts among Catholics and Protestants. In this scenery, the comparison between the two artistic manifestations is based strictly on the analysis of the personages��� profiles, the circumstances in which they have been produced and the historical aspects surrounding the two works.