Álvaro Lins: leitor de Graciliano Ramos

Pós-graduação em Letras - FCLAS

O fluxo da consciência em Ask the dust, de John Fante

The purpose of this research is to present de narrative techniques of the Stream of Consciousness in the novel Ask the dust, by American writer John Fante, as well as analyzing the technique applying it to the character/narrator Arturo Bandini. Among others, the emphasys was given to the interior monologue technique, for its large and intense use throughout the analyzed novel. This research was based specially on O Fluxo da consciência (1976), by Robert Humphrey, and Foco narrativo e fluxo da consciência (2012), de Alfredo Leme Coelho de Carvalho, both important researchers in the studied theme. This research, therefore, intends to demonstrate the geniality of the still little-known John Fante and point out the peculiarities of the so-called 'psychological fiction', that in the early 20th century united literature and psychology studies, becoming very popular in modern literature, with exponents like Virginia Woolf and James Joyce

Anestesia subaracnóidea em crianças

JUSTIFICATIVA E OBJETIVOS: Tem aumentado muito o emprego da anestesia subaracnóidea em crianças, principalmente neonatos com risco de desenvolver apnéia neonatal. O objetivo deste trabalho foi rever as diferenças anatômicas, fisiológicas e farmacológicas desta técnica em crianças. CONTEÚDO: A anestesia subaracnóidea em crianças, apesar de ter sido técnica empregada desde o início do século XX, teve sua popularidade diminuída com o advento dos anestésicos inalatórios e bloqueadores neuromusculares, para ser novamente resgatada em 1979. As características favoráveis desta técnica em pediatria são relativas à estabilidade cardiovascular, em crianças de até 8 anos de idade, à analgesia satisfatória e ao relaxamento muscular. Os anestésicos mais utilizados em crianças são a tetracaína e a bupivacaína, cujas doses são ajustadas tomando-se por base o peso corporal. Esta técnica é limitada pela duração relativamente curta, devendo ser utilizada para procedimentos cirúrgicos que não ultrapassem 90 minutos e também pela analgesia não abranger o pós-operatório. As complicações são as mesmas encontradas no paciente adulto, incluindo cefaléia por punção dural e irritação radicular transitória. As indicações são várias: cirurgias de abdômen inferior, genitália, membros inferiores, região perineal e, em alguns casos, até em cirurgias torácicas. Seu emprego tem particular interesse nos recém-nascidos prematuros, pelo risco de apresentarem a apnéia da prematuridade. CONCLUSÕES: A anestesia subaracnóidea em crianças é técnica relativamente segura, com poucas complicações e pode ser considerada como opção para anestesia geral, principalmente nos recém-nascidos prematuros com risco de apresentarem complicações respiratórias no pós-operatório.

A Música Coral dos Primórdios do Século XX aos Primórdios do Século XXI: a Composição para Coros e a Performance do Repertório Moderno/Contemporâne

This paper is a small part of my Doctoral dissertation which is a large study about the practice and sonority in various choral music styles. Focusing on the choral music from the beginning of the 20th century to the present day, and based upon a bibliographical review, this article describes the characteristics of the choral composition and reflects on the performance aspects of the performance of modern and contemporary choral repertoire such as vocal tone color, intonation and non-traditional vocal techniques.

Teixeira e Sousa e o romance-folhetim: uma leitura de O filho do pescador (1843)

Pós-graduação em Letras - FCLAS

Diversão e prazer declarados por crianças que jogam WII®: entre o real e o virtual

Pós-graduação em Desenvolvimento Humano e Tecnologias - IBRC

A intertextualidade pós-moderna de Agora é que são Elas

Pós-graduação em Letras - FCLAS

Indivisíveis, intangíveis, impossíveis: mundos ficcionais em I nostri antenati, de Italo Calvino

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A ironia nas Terceiras estórias: Tutaméia

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Amazônia revisitada: de Carvajal a Márcio Souza

Pós-graduação em Letras - IBILCE

História da educação e literatura: possibilidades de relações

In the last decades of the 20th Century, the History of the Education, as well as that of Mathematical Education have used the background of the New History and Cultural History. It has changed its objects, methods and sources. Despite the diversification of sources, some of them have still not been used systematically in research. This is the situation with regard to fiction texts. According to Lajolo (1997), literature is the radar and mirror of the values, emotions, feelings and point of view of societies. Therefore we can pose questions to literary texts to seek historical narratives. In this paper, parts of the literary texts Novelas Paulistanas and Memórias de um Sargento de Milícias have led us to historical research in secondary sources. We aim to contribute to understanding of the Brazilian Empire's process of school education, in Rio de Janeiro, and of the FirstRepublic's educational process, in São Paulo.

Confluências histórico-técnicas no conceito de micropolifonia (1956-1966)

Pós-graduação em Música - IA

Aikido: via para ascese marcial

Aikido is a Japanese martial art developed in the 20th century by Morihei Ueshiba. This self defense art, as it is known, is trained around the world as a noncompetitive practice. This work aimed to investigate and circumscribe the history of this martial art presenting features of its singularity. Akido´s Cultural History was used as a theoretical approach to build the historical background. The work was divided in five chapters as respectively named and described: Japan´s historical contextualization - it seeks to show the changing processes that happened in Japan which were arising from the insertion of other cultures, and how that insertion led the country to modernize itself and turn into a great world power. The ancient art: Aiki Jujutsu Daitoryu - talks about this samurai martial art which ensured the Aikido to obtain as the source technique the aiki, and the Xintoist practice. The history of a master: Morihei Ueshiba - presents some defining facts and moments from the master Ueshiba´s history, which points both to the changes occurred in the country, and to the ones that led the master to justify and broadcast the martial art. Aikido: The Budo art - portraits the Aikido´s meaning and the way that it was built to present the Aikido as a Budo art. And to finalize, Martial asceticism - seeks to make the dialogue between the cultures, from the meaning of this chapter title words (martial asceticism), as well as to point facts from the contemporaneity which provoke reflections upon the present practice

Palimpsestos: Ana Miranda y la lectura de la historia literarria brasileña

We can notice in Brazilian literature —both past and contemporary— the presence of the historical novel in its several modalities which include traditional models but also contemporary formulations that break old models with irreverence. Among them are the historiographical metafictions (Hutcheon, 1991), which propose the rereading not only of history but also of literature itself. Therefore, in the large number of historical characters which are fictionalized by contemporary Brazilian historical novel in the last decades, this essay intends to discuss how Ana Miranda engages in reading the history of Brazilian literature through fiction in three of her novels. The first is Boca do inferno (1989), whose protagonists are two of the main representatives of Brazilian colonial barroque, Father Antônio Vieira and poet Gregório de Matos. Following the chronological order of protagonist writers, the next novel to be discussed is Dias & dias (2002), whose action is centered in Gonçalves Dias, a well known poet of national Romanticism. The third is A última quimera (1995), which makes an outline of Brazilian literature at the beginning of the 20th century, dealing with Augusto dos Anjos and Olavo Bilac. By inverting some traditional viewpoints, Ana Miranda proposes, as in a palimpsest, the rereading and discussion of the national literary cânon and its construction.