Millôr Fernandes: análise do estilo de um escritor sem estilo através de suas fabulosas fábulas

Pós-graduação em Estudos Literários - FCLAR

O processo estético de reescritura das fábulas por Monteiro Lobato

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A figurativização do trabalho nas fábulas de Esopo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Costumbrismo, hispanismo e caráter nacional em Las mujeres españolas, portuguesas y americanas: imagens, textos e política nos anos 1870

Pós-graduação em História - FCLAS

Lendo Mitos, Fábulas, Contos - fios metafóricos da história da humanidade

A história da humanidade é contada por fios metafóricos: mitos, fábulas, contos de fada. Cada uma dessas narrativas enfoca partes dessa história e significa a realidade sob prismas diferentes: compondo sentidos, norteando ações, justificando diferentes trajetórias de vida. O trabalho com esses gêneros é explicitado em livros, sala de aula e projetos.

Releitura de Reinações de Narizinho: recuperando a presença das fábulas no cotidiano escolar

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Duas fábulas de cidade: configurações do espaço urbano em Bernardo Carvalho e João Cabral de Melo Neto

The aim of this article is to present some considerations on the contemporary city figurativizations, from the reading of “O Arquiteto”, a Bernardo Carvalho’s short story, published in the anthology “Aberração” (2004). In this short story, the writer retakes the city theme following a modernity tradition, established, among others, by Poe and Baudelaire, making his voice embrace other Brazilian writers voices, that have represented the town, but, at the same time, recreating, in his scripture body, dense and intense, quick and, in some sense, agonic, the utopist projects of renascence ideal cities, questioning the utopias and the aesthetics traces which can be found on the nowadays texts. To enlarge the metalinguistic proposal that emerges from the analysis, some poems by João Cabral de Melo Neto are considered. This comparison allow us to establish parameters to think about influence in certain perspective of contemporary literature, which epicenter configures less the supremacy of the newty and more a aesthetic of deletions of the origins, tracks, traces, which are possible by the canon invention.

Características de las experiencias españolas de presupuesto participativo: intento de encuadramiento en una tipología

Participatory Budgeting (PB) is an innovative methodology of public budget management. It includes the common citizen in decision-making process, which does not happen in traditional budget processes. PB emerged in Brazil in the last two decades of the last century (Porto Alegre’s experience is the best known model) and spread to several countries since then. The spread of the practice has produced significant changes in relation to the original proposals, requiring the efforts of analysts to identify them in different situations, carried out by different political actors, with different objectives. Pires and Pineda (2008a) proposed a typology of PB sought to contemplate the experiences from the simplest to the most daring and less sophisticated to the pretentious, so as to allow assessment of the maximum number of cases. In this article the Spanish experiences of PB are characterized from this typology, highlighting its most relevant aspects. It is a useful study to understand the evolution of PB in Spain, but also to continue the effort to better define what is and can become the participatory budget as a possible tool for improving the management of local public finance and democracy

Os recursos linguísticos no projeto de desliteraturização de Monteiro Lobato: discutindo a obra fábulas

Pós-graduação em Educação - IBRC

Esses cronistas de futebol e suas fábulas maravilhosas: a copa do mundo de 1998 na grande imprensa brasileira

This paper is focused on the reading of the texts of writers who collaborated with the leading newspapers of the Rio-São Paulo (represented here by the daily O Estado de S. Paulo, Folha de S. Paulo, O Globo and Jornal do Brasil) in coverage Football World Cup 1998, held in France. This tournament crystallized a growing trend from print to the Brazilian season: the convening of writers and chroniclers of notebooks from culture to comment on the matches of the World Cup. Here we analyze how these writers and their chronicles and columns permeated by the poetic and metalinguistic functions, enriched the sports pages with reports, stories or comments imagery, subjective and even fictional about football, a phenomenon that is countered, so the search for the referent and journalistic impartiality