13 resultados para Eduardo de Ontañón
em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"
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A retrospective study of tumors in dogs was carried out in the School Veterinary Hospital (HVE), Eduardo Mondlane University, Mozambique, between January 2004 and January 2009. Data from clinical-surgical records of tumor samples surgically removed, necropsy and cytological exams were used and sent for histopathology exams. During the study 210 tumors and about 27 different types of tumors were identified. Skin tumors (61.0%) were the most frequent, followed by mammary gland tumors (27.60%), reproductive system tumors (11.90%) and bone system tumors. The mammary gland tumors were observed only in females, with high prevalence in bitches which were not spayed or spayed after two years old. It was concluded that the neoplasia prevalence increase was correlated to the higher longevity of dogs, and breed also contributed for the development of determined tumors due to high incidence of mastocitomas in Boxer and German Shepherd breeds. The 100 % incidence of mammary gland neoplasia in females confirmed the higher predisposition for mammary gland neoplasia in females.
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Pós-graduação em História - FCHS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Música - IA
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Pós-graduação em Ciências Biológicas (Zoologia) - IBRC
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Pós-graduação em Agronomia (Irrigação e Drenagem) - FCA
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Estudos Literários - FCLAR
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Le champ littéraire est plein d’oeuvres qui remettent à des mythes. L’ensemble de récits Mujeres, de Eduardo Galeano, a comme thématique la femme et il est composé par des micro-contes, genre narratif qui promeut une condensation maximale d’eléments thématiques et structuraux. Il s’agit des descriptions littéraires où la synthèse est placée ou même niveau que le lyrisme. Ayant pour objectif d’analiser la nature archétypique des mythes sur la féminité, nous avons travaillé spécifiquement les contes de Mujeres où se reconstruisent poétiquement des mythes de la féminité. Méthodologiquement, notre notre étude a pour base la mythocritique et la théorie des structures anthropologiques de l’imaginaire ídéalisées par Gilbert Durand. En partant de ces bases, nous avons réalisé l’analyse des récits qui s’articulent en notre corpus, ayant pour but, celui d’identifier les divers artifices narratifs spécifiques qui y opèrent. Par le moyen des mythèmes présents dans les récits, nous avons révélé les structures archétypiques du texte et nous avons constaté comment elles s’édifient littérairement. En outre, nous avons élucidé la teneur de la représentativité archétypique de la feminité inhérente aux récits et finalement, nous avons rassemblé les situations et les combinatoires qui existent dans l’ensemble de microrécits, traçant les connexions possibles qui y existent. Ainsi, nous avons fait une étude proprement dite, d´analyse mythocritique
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Pós-graduação em Ciências Sociais - FFC
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Pós-graduação em Letras - FCLAS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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1. Introduction. Eduardo Coutinho represents the development and innovation of the Brazilian documentary. His career is still marked by a novel technique of interviews with participants also mix documentary with other communication techniques, especially fiction and journalism. This article provides a recovery path Coutinho and his major works. 2. Method. A literature review and analysis of filmic discourse is applied to understand the history and languages adopted by Coutinho during his career as a documentary. 3. Who was. Before acting as a documentary, Coutinho has studied law but always acted in theater and visual arts. This discussion presents Coutinho before documentaries. 4. Frames by Eduardo Coutinho. The main works of the documentary are presented, as well as its important features that transform the filmography of director in one of the most important in Brazil. 5. Conclusions. We conclude that Eduardo Coutinho has left a gap in the Brazilian documentary, since his death in 2014. However, their contributions are transformed the genre, as the results presented in the article.