The character of pure spinors

The character of holomorphic functions on the space of pure spinors in 10, 11 and 12 dimensions is calculated. From this character formula, we derive in a manifestly covariant way various central charges which appear in the pure spinor formalism for the superstring. We also derive in a simple way the zero momentum cohomology of the pure spinor BRST operator for the D = 10 and D = 11 superparticle.

Fractal character of the SAXS correlation volume in poly(ethylene glycol)/silica hybrid wet gels

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Final state and thermodynamics of a dark energy universe

As it follows from the classical analysis, the typical final state of a dark energy universe where a dominant energy condition is violated is a finite-time, sudden future singularity (a big rip). For a number of dark energy universes (including scalar phantom and effective phantom theories as well as specific quintessence models) we demonstrate that quantum effects play the dominant role near a big rip, driving the universe out of a future singularity (or, at least, moderating it). As a consequence, the entropy bounds with quantum corrections become well defined near a big rip. Similarly, black hole mass loss due to phantom accretion is not so dramatic as was expected: masses do not vanish to zero due to the transient character of the phantom evolution stage. Some examples of cosmological evolution for a negative, time-dependent equation of state are also considered with the same conclusions. The application of negative entropy (or negative temperature) occurrence in the phantom thermodynamics is briefly discussed.

The embodied embedded character of system 1 processing

In the last thirty years, a relatively large group of cognitive scientists have begun characterising the mind in terms of two distinct, relatively autonomous systems. To account for paradoxes in empirical results of studies mainly on reasoning, Dual Process Theories were developed. Such Dual Process Theories generally agree that System 1 is rapid, automatic, parallel, and heuristic-based and System 2 is slow, capacity-demanding, sequential, and related to consciousness. While System 2 can still be decently understood from a traditional cognitivist approach, I will argue that it is essential for System 1 processing to be comprehended in an Embodied Embedded approach to Cognition.© MSM 2013.

O teatro experimental do negro -: estudo da personagem negra em duas peças encenadas (1947-1951)

Pós-graduação em Artes - IA

Heleny Guariba: luta e paixão no teatro brasileiro

Pós-graduação em Artes - IA

A ilusão dramática em Acarnenses, de Aristófanes

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Caipira no palco: teatro na São Paulo da Primeira República

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Loucura: a temática que constrói o discurso da obra Hospício é Deus, de Maura Lopes Cançado

Pós-graduação em Letras - FCLAS

Phoenissae de Sêneca: estudo introdutório, tradução e notas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Desencontro e experiência urbana em contos de Caio Fernando Abreu

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

L'Amour dácadent em dramas de Villiers de L'Isle-Adam e Maurice Maeterlinck

Pós-graduação em Estudos Literários - FCLAR

Repercussões do trágico e do social no teatro de Dias Gomes: leitura comparativa entre Antígona de Sófocles; O Pagador de Promessas, O Santo Inquérito e As Primícias de Dias Gomes

Pós-graduação em Letras - FCLAS

Elementos do trágico em Eça de Queirós: A tragédia da Rua das Flores e Os Maias

Pós-graduação em Letras - FCLAS

O olhar revolucionário em As Meninas

We analyzed here, Lia de Melo Shultz, one of the protagonists of As meninas, Lygia Fagundes Telles. Incarnation of the revolutionary romanticism of 60- 70 years of the century XX, she is the most representative character of a double crisis: the political authoritarianism of the military dictatorship and patriarchy. We highlight of the characteristic features of narrative character, exploring their actions and ideas and their role in the dramatic conflict. To contextualize the fable, we make use of texts Boris Fausto, Nadine Habert, Elio Gaspari and Leonardo Pinheiro.