A dama e o unicórnio: uma leitura iconográfica

This paper embraces the tapestry, from Cluny Museum: La Dame a la Licorne. There are in two types of analyses: One is a diachronic vew and also a sincrhonic, which guide its pratice. In the tapestry La Dame a la Licorne at the Cluny Museum a reading based over the myths and symbols was the main line. \The first analyses, diachronic covers the temporality of the tapestry production, the second one, synchronic, describes the level of history, religion and myths envolved. This work consists in a process of actualization and an effort to bring closely the discussion over tapestry, using methods applied to non-verbal readings.

Notas sobre o conceito de existência autêntica

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise descritiva da tradução para o português de Pygmalion de George Bernard Shaw por Millôr Fernandes

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O mito como fonte de criação literária

Partindo da teoria de Ramnoux, de que o mito se prolifera em variantes romanescas quando não desempenha mais sua função organizadora na sociedade, consideramos o mito de Mélusine uma variação fragmentada e modificada do mito da mulher-animal das sociedades de caça e coleta. Mélusine parece ter inspirado o conto A dama pé-de-cabra de Alexandre Herculano, no qual pnvilegiou-se o maravilhoso cristão, por isso encontramos neste somente os aspectos demoníacos do personagem mítico, pois não se trata mais do mito, propriamente dito, que reflete o contexto social, cultural e temporal de um povo. Em decorrência desse raciocínio, consideramos A dama pé-de-cabra uma criação literária que representa uma inversão do mito inicial.

Identificando tipos de personalidade na dança de salão

Many studies have shown a variety of benefits that the practice of Ballroom Dancing can bring, such as leisure and entertainment, the release of tension from a stressful routine, improving relationships, expanding social contacts. The rationale of this study is by the need to evaluate a different sphere of life of people involving the structure that is the personality. The man is humanized in contact with other men and the culture it is almost impossible to grow it in isolation, that is, are the social relationships that allow men to become human and her personality structure. The relationship brought about by the ballroom dancing can benefit the development of personality or simply put individuals in situations that provide a greater understanding of yourself, as this activity has characteristics that greatly facilitate social contact between people who practice it as the relationship between gentleman and lady for a dance, the contact with people in different classes, social events where it is practiced and even the music that is danced. This work aimed to be able to identify the type or types, the most common personalities exist in one group of participants in a course of Ballroom, based on the technique of Enneagram developed and disseminated by Gurdjieff, whose characteristic is to divide into nine different personality types. Participants were 42 students of the extent to ballroom dancing. We administered a questionnaire to identify the personality of each participant and then there was a second observation time the behavior of six participants in the class for confirmation of your psychological type to issofoi used a checklist developed by the author. Was also investigated whether there are differences of gender and psychological types who seek more such activity. The conclusions are that there are a large number of persons type 9, more than 42% and are predominantly male, since... (Complete abstract click electronic access below)