Expresividad poética y traducción con breve lectura de Fedro I. 1

The term poetic expressiveness refers to the multiple joints of the plan of expression, derived from the expressive value of the linguistic sign (ROSSET: 1970, 135) and its particular role in the field of poetry. The features of meaning, such as projection, elevation and salience, make it possible to consider expressive all poetic statements which constitute particularly dense instances in the formal consolidation of a convergence between the two planes (expression/content), and therefore it stands out from the others due to the high density of structural parallelisms and isomorphisms, which are procedures responsible for the impression that a particular form of content can only be expressed by cutting that same specific form of expression out. These considerations have an immediate impact on the reading, interpretation and practice of translating poems, which is intended to be demonstrated here, through an example of translation of a Phaedrus' fable, written in iambic meter.

Entre abanicos e castanholas: recepção de Clarice Lispector na Espanha

Pós-graduação em Letras - IBILCE

Camões y Lucano

Camoens, the great Portuguese epic, was a Lucan’s reader, although it seems forgotten by some critics. Among the ancient writers who have influenced Camoens’ text, the Latin poet Lucan (AD 65) receives a smaller, but not irrelevant attention. This paper presents some allusions to Lucan in Os Lusíadas of Camoens, specially exploiting a long imitation of Pharsalia, II, 585-595.