Bodas de Sangue, de Carlos Saura: releitura do musical clássico

Pós-graduação em Artes - IA

Traços decadentistas na poesia de Camilo Pessanha e Al Berto

This monograph aims contribute to point out the presence of technical procedures, formal and thematic elements, typical of the Symbolist/Decadentism aesthetic in lyric poetry of Al Berto (1948-1997), using the Camilo Pessanha’s (1867-1926) work as tool to comparison. To achieve this goal, we analyze the corpus selected for research, consisting of three Pessanha’s poems taken from the book that brings together his work, Clepsidra, “Caminho I”, “Caminho II” e “[Depois das bodas de oiro]”, and three poems of Al Berto, taken from the book O Medo, which is the combination of his work too: “Os dias sem ninguém - 4”, “Doze moradas de silêncio – I” and “[no exíguo espaço do corpo ou da casa]”. Through the comparison between the analysis of the poems from Al Berto and Camilo Pessanha it was found resemblances, in fact, - and obviously some differences - between both. Furthermore, it was verified that Al Berto, a contemporary poet, rescues numerous traits of the decadent aesthetic, whose Camilo Pessanha is one of the greatest representatives

Estudo de parâmetros climáticos como subsídio à gestão ambiental da vertente paranaense da bacia hidrográfica do rio Itararé

Pós-graduação em Geografia - FCT