O cinza e a carne: imagens do Conjunto Habitacional Zezinho Magalhães Prado

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Em busca do Império: a trajetória intelectual e política de Eduardo Prado

Pós-graduação em História - FCHS

Adélia Prado e o diálogo com mulheres bíblicas

Pós-graduação em Letras - FCLAS

Poesia e composição na canção: estudo analítico dos Três Cantos de Hilda Hilst (2002) de Almeida Prado e de canções do álbum Poesia Paulista (1998) de Achille Picchi, Eduardo Guimarães Álvares e José Augusto Mannis; composição comentada da canção A Casa do Tempo Perdido (2008) de Diogo Lefèvre

Pós-graduação em Música - IA

O regionalismo na formação territorial brasileira em Caio Prado Júnior

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As classes sociais brasileiras em Caio Prado Júnior: papéis político-econômicos na consolidação da nação (1933-1966)

Pós-graduação em História - FCLAS

Ziembinski – o encenador dos tempos modernos: a construção de uma trajetória na crítica de Décio de Almeida Prado (1950-1959)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Paulo Prado e a Semana de Arte Moderna: ensaios e correspondências

Pós-graduação em Letras - FCLAS

A poesia de Adélia Prado: expressão feminina do cotidiano e do sublime

This work aims to locate Adélia Prado’s poetry in the scenery of the contemporary Brazilian literature in order to comprehend some issues that are part of the manner how the poet constructs her poems and which may elucidate, through the lyric speaker, the relation of her poetry with the historical and cultural moment in which her work is placed. In this sense, the purpose of this study is to analyze Adélia Prado’s poetic construction by emphasizing the female voice of her lyric speaker and the superposition of elements from the semantic fields of the prosaic and the sublime, since we have identified these aspects as basic ones for the development of an interpretation on this poetry. This way, we have tried to comprehend the connection that the poet establishes between the material and the spiritual, the erotic and the religious, the immanent and the transcendent and we have concluded that, for the poet, everything can be subject to poetry. For this work, we used the volume Poesia reunida (1995) for it provides a wider view over Adélia Prado’s poetry

Caio Prado Jr. e o intelectual marxista hoje

This article proposes to engage in dialogue with the work and the trajectory of Caio Prado Júnior, one of the most influential historians and Marxist intellectuals of Brazil. The intention is not to evaluate his production in detail, nor follow the relationships she had with the Brazilian society and the historian’s political options, something already conducted by several researchers. Instead, its intention is to “use” his trajectory and style to freely reflect on some traces of Marxism in Brazil and especially on certain dilemmas inherent in the performance of the Marxist intellectuality. Caio Prado Jr. will, therefore, be treated here as a parameter for a broader reflection on the intellectuals.

Um estudo sobre a relação entre Caio Prado Júnior e Fernando A. Novais

In this paper we propose to analyze the relationship established by Fernando Novais with Caio Prado regarding the studies about the colonization. Putting himself as his disciple, Novais exposes his conception of colonization as a deepening means and a way to overcome the way by which the author of Formação do Brasil contemporâneo understood the colonial phenomenon. This way of putting this relationship has been accepted by both the critics and supporters of Novais, thus acquiring certainty of truth. We show in this paper that by rooting his conception of colonization in Prado’s conception, Novais conceived him in a particular way: as an historian of the ‘sense of colonization’. The analysis of Prado’s concept of colonization shows, however, that this is part of his interpretation of the history of Brazil, as a whole. It follows that we can’t isolate one from the other without disturbing the comprehension of Prado’s conception. The result of our text is thus retaking the Prado’s conception in its historicity.

O poema em música e a música além do poema: estudo sobre a relação entre música e poesia em obras de Almeida Prado, Eduardo Guimarães Álvares e Harry Crowl

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Ziembinski, o encenador dos tempos modernos: a construção de uma trajetória na crítica de Décio de Almeida Prado (1950-1959)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)