173 resultados para Aparatos de ortodoncia estéticos
em Repositório Institucional UNESP - Universidade Estadual Paulista "Julio de Mesquita Filho"
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Malocclusion class II-1, is represented by a high prevalence in Brazil, being something common in orthodontic practice. One of the main characteristics of this malocclusion is jaw retrusion, by what many devices of jaw advance are presented in the literature. Being one of them Herbst's device, which is a functional and fixed device created by Emil Herbst (1905) and updated by Hans Pancherz in the decade of 80s.This device is characterized by keeping the jaw advance in a continuous way, while presenting a less active treatment, leading to an immediate aesthetic impact, and the patient cooperation is not required. To improve the anchoring and prevent the collapse of the apparatus was set up last amended version of it by Dr Raveli quoted as Herbst splint. Recent research indicates the use of this device after the peak pubertal growth, creating an appropriate response condylar. The aim of this work is to show the orthodontist a choice of how to use the splint Herbst in Class malocclusions II-1.
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Pós-graduação em Odontologia - FOA
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Pós-graduação em Ciências Odontológicas - FOAR
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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The purpose of this study was to evaluate surface rugosity among indirect esthetic materials (Vita VMK 95, Solidex, Artglass, Targis). Ten samples of each material in the cilindric shape with dimension 6 x 6 mm were manufactured. The surface were submitted to finishing and polishing, according to manufacturer's recommendations. The samples were submitted to measuremenst, using the Hommel Tester T500 device. The average values of maxim surface rugosity among the materiais ín question, were 5, 73pm; 5, 15pm; 6, 83 j.Jm e 3, 72 j.Jm, respectively. Sample were also subjectted to variance analysis- ANOVA (5%), had detected significance. Concluded that the material Solidex did not present significant statistical differences among groups, while Targis presented significant statistical differences in relation to the Artglass and the ceramic Vita vmk95.
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Recentemente, foram lançados no mercado odontológico novos materiais estéticos para restaurações diretas em dentes posteriores, aos quais são atribuídas propriedades mais adequadas para essa indicação. Entretanto, as informações disponíveis são ainda muito escassas, gerando dúvidas quanto à sua real eficácia, sobre quais as diferenças de suas composições e propriedades físicas e mecânicas em relação aos materiais até então disponíveis e se, de fato, apresentam melhor performance clínica. Em vista do exposto, nos propusemos a estudar contração de polimerização, resistência à flexão e concentração de partículas inorgânicas, por massa e volume, de sete resinas compostas (Alert, Ariston, Solitaire, Definite, Filtek P60, Z-100 e Tetric Ceram). A contração de polimerização foi medida nos materiais inseridos em um anel plástico, e o registro das alterações, durante a polimerização, foi feito por meio de instrumento eletrônico de medida linear, que registra as alterações dimensionais, com sensibilidade de 1 mm. A resistência à flexão foi medida na máquina de ensaios mecânicos MTS 810 e a confecção dos corpos-de-prova e dos dispositivos para o ensaio foi orientada pela norma ISO no 4049:1988. A determinação do conteúdo de partículas inorgânicas por massa foi feita através da pesagem de uma porção de resina composta polimerizada antes e após a eliminação da fase orgânica em forno, à temperatura de 700oC. O porcentual volumétrico de partículas inorgânicas foi calculado com base no Princípio de Arquimedes. Foi determinado o volume da resina composta polimerizada, antes e após a eliminação da fase orgânica, pela diferença da massa do material pesado ao ar e imerso em água. Os dados de conteúdo de partículas inorgânicas por massa e por volume, de contração de polimerização e resistência à flexão foram submetidos...(Resumo completo, clicar acesso eletrônico abaixo)
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Fixed mandibular propulsion appliances are an alternative for the treatment of Class II malocclusion in individuals with mandibular deficiency. Since they are fixed appliances, said devices keep the mandible in an anterior-forced position during rest and during all mandibular functions. When a propulsive appliance is used, the lower jaw is displaced forward and downward. This movement leads to a new position of the condyle, which can, ultimately affect the normal functioning of the temporomandibular joint (TMJ). The aim of this paper was to review effects of fixed mandibular propulsive appliance on TMJ. Inclusion criteria considered studies on animals or humans using TMJ radiography, computed tomography, and magnetic resonance imaging. Studies confirm a favorable relation between condyle and glenoid fossa following treatment with fixed mandibular propulsion appliances.
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Objective: this study aimed to analyze the in vitro effect of brushing on the color stability of ceramic brackets immersed in dye solutions. Materials and Methods: seven ceramic brackets of four commercial brands were tested: two monocrystalline and two polycrystalline. The parameters of color were obtained by spectrophotometer before and after 21 days of immersion of the brackets in coffee, red wine, Coca-Cola, black tea and artificial saliva. Another group of brackets of each brand were also immersed in the same solutions and for an equal time to the previous group, but with intervals of daily brushing performed by a toothbrushing machine (Mavtec). The data were evaluated by analysis of variance, multiple comparison tests for means and Student's t-test. Results: the mean color change of the brackets without brushing ranged from 0.46 to 7.61, while in the group with brushing these means ranged from 0.36 to 2.50. The staining still remained noticeable (change of color greater than 3.7) for all brackets when immersed in black tea. Conclusion: daily brushing helped significantly in the color stability of ceramic brackets, maintaining the color change to levels considered not visible to the human eye, except for the solution of black tea in which the staining remained relevant.
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The aim of this study was to evaluate the correlation of color change on bleaching tooth through delta E (ΔE) by the spectrophotometer Spectroshade (SS) and digital program Scanwhite (SW). Methods: 25 patient volunteers were recruited from Operative Dentistry at Universidad de Chile Dental School, between 18 to 30 years, with good oral hygiene. Exclusion criteria: Previous experienced tooth bleaching, anterior restorations, cervical lesions, pain dental, pregnant patient, stained teeth, malposition of the teeth and periodontal pathology. The bleaching was made in two sessions with three different bleaching systems which were randomly. The assessment of color change through ΔE was made on the two upper central incisors (N=50) by the SS and SW. The color in the same teeth were measured before (T0) and after (T1) of the bleaching treatment. Data were analyzed using test Spearman correlation coefficient (Rho) with a significant level of 95%. Results: The results showed a positive and significant correlation (0.676), with a statistically significant difference (p<0.05). Conclusion: There is correlation in the measurement of color change on bleaching tooth by SS and SW.
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In reply to the eagerness for aesthetic treatments in dental offices, the surgeon-dentist have had to improve themselves to produce the desired smiles. The mastery in the use of restoring and non restoring techniques as well as knowledge of the aesthetic materials in basic for the success of the cosmetic treatments. There are, however, other tolls which allow the portentiality of the treatment results such as, the analysis of the smile, through the use of photographs to perfect the results of both restoring and non restoring proceedings.
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Based on the aesthetic investigations of Freud, the work intends to bring joints between possible sensitive effects caused by contact / reception with works of art (having them here as “framed art”) and psychoanalytic clinical setting. The text is also concerned to show that the production of these striking effects, happens by the condition of these items (artistic and clinical) are under a frame and therefore conceptualized as aesthetic in this article arguments.
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The most challenging Deleuze/Guattari’s lesson regar- ding art is that it is an autonomous way of thinking and bears of no lack relatively to philosophy and science. In fact, creating artistically is thinking. Throughout this article, I will try to show that art and philosophy are autonomous modes of thinking, as far as the statute of their creations is multiplicity. The multiplicity that characterizes philosophy is concept; the multiplicity that characterizes art is sen- sation. Both of them have their multiplicity character guaranteed by the instance of the problems, to which they are solutions. The most important is that the problems although independent constitute in- terference channels through which two modalities of meeting could happen. First, sensations point out how could a thinker endures in the instance of problems, avoiding both to deprive the concept and to fall in philosophical illusions. In second place in the instance of the problem philosophy and art exchange, so that either a thinker takes an art sensation and extracts from it its generating problem to be philosophically solved or, vice-versa, an artist takes a concept and solves its problem creating new art sensations.
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This paper aims at establishing a link between the psychoanalytic idea of a clinical setting and the notion of framing in the artistic image. To this end, the reading is based on issues related to clinical care, in the specific sense of a setting, casting itself in artistic creations that challenge the rigid status – when it’s the case – of this setting, and reflecting on the notion of transference, a basic phenomenon in this context. The conclusions refer to a direct approach between the aesthetic experience and psychoanalytic experience.