O Brasil em minúcias: a visão trágico-histórica na crônica machadiana (1888-89;1892-93)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

SPATIAL AUTOCORRELATION OF MORPHOMETRIC VARIATION IN LUTOSA-BRASILIENSIS (BRUNNER VONWATTENWYL, 1888) (ORTHOPTERA, GRYLLACRIDOIDEA, HENICIDAE)

Geographic differentiation and sexual dimorphism in eighteen morphometric characters of Lutosa brasiliensis (Orthoptera: Henicidae) collected in eight localities of the State of São Paulo (Brazil) were analysed. A two-way Multivariate Analysis of Variance (MONOVA) was used to assess simultaneously the effects of sex and geographic location (plus their interaction) on morphometric variability. The spatial patterns of variation were analysed by Factor and Spatial Autocorrelation Analyses (Moran's I coefficient in four distance classes). Both indicate that the main direction of variation is, for males and females, a north-south cline in overall body size. In females, however, ovipositor length is not correlated with overall body size and displays a different pattern of variation over geographic space, indicating that distinct evolutionary forces produced the geographic differentiation in the species.

Conhecimento tecnológico e inovação no Brasil: Um estudo patentométrico na universidade estadual paulista

The patent recordings of the Universidade Estadual Paulista (UNESP) since its first recording in 1980 to December 2010 are analysed, in order to promote their visibility, and analyze their authors, most productive areas and most common themes. As research procedure, we verified the relation of all patents deposited, following different types: patent recordings of invention, utility models, brands and industrial drawings, all of which were obtained from the Unesp Innovation Agency. Finally, the scientific colaboration network among the researchers was drawn using PAJEK. The most productive authors are grouped in the Araraqua Chemistry Institute and the engeneering area.

Uma discussão sobre documento audiovisual enquanto patrimônio arquivístico cultural no Brasil

The origin of the concept of cultural heritage and its definition and applicability to the Brazilian scenery is analyzed, with a focus on audiovisual archives.

A formação da historiografia teatral brasileira (1888-1938): consonâncias e dissonâncias

Pós-graduação em Artes - IA

Violência na Vila de São Sebastião do Ribeirão Preto (1874-1888): livres e escravos nas barras da justiça

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A escravidão na fronteira: um estudo da escravidão negra numa boca do sertão paulista. Lençóes, 1860-1888

Pós-graduação em Economia - FCLAR

Crimes em comum: escravidão e liberdade no extremo nordeste da Província de São Paulo (Franca 1830-1888)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Erudição e ciência: as procelas de Júlio Ribeiro no Brasil oitocentista

Pós-graduação em História - FCLAS

Diário de uma vida de menina: cinema e literatura no Brasil (representações da personagem feminina)

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O tempo que os escravos tinham para si: um estudo sobre autonomia escrava em Itu de 1850 a 1888

Pós-graduação em História - FCHS

Crimes em comum: escravidão e liberdade sob a pena do Estado imperial brasileiro (1830-1888)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Análise documental das imagens fotográficas de romarias no Nordeste do Brasil

A discussion, through a literature review, on the use of photographic documents and Documentary Analysis (DA) for the preservation, description and retrieval of images of pilgrimages in northeastern Brazil, which are archived at the Laboratory of Information Science and Memory (LACIM). The photograph acts as an expression of faith and devotion; it is a witnesses and documents, through images, the records of the day-to-day folk religion in its multiple meanings and situations, linked to the sacred. The DA —as a set of procedures performed after the reading of documents— facilitates the analysed collection location or query through the documentary language. This paper tries to show that the particular form of the information contained in a photographic archive echoes submerged memories of the pilgrims, authenticating a social fact in the country, capturing the sacredness from specific moments of celebration.

Entre Zola e Eça: o Naturalismo brasileiro em seu apogeu (1888)

Brazilian naturalism began in 1881 with the publication of O mulato by Aluísio Azevedo. In spite of the considerable Brazilian cultural dependence on France, the great European master of Brazilian naturalists was initially the Portuguese Eça de Queirós. His novel O primo Basílio resounded intensely in the intellectual environment of Rio de Janeiro, where it had found admirers and fierce critics like Machado de Assis. Only around 1888, when the French naturalist movement suffered serious defections, Brazilian novelists adopted Émile Zola’s esthetical proposals directly through the reading of the Rougon-Macquart cycle. In that year, O missionário by Inglês de Sousa, O cromo by Horácio de Carvalho, A carne by Júlio Ribeiro, Hortência by Marques de Carvalho, Uma família baiana by Xavier Marques, and Lar by Pardal Mallet were published. Nevertheless, it is relevant to consider which features of Zola’s and Eça’s works were incorporated in those works which established a flowering moment of Brazilian naturalism.