179 resultados para Voz poética


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Ce travail cherche montrer quelques caractéristiques de la Poésie Visuel, expresion artistique qui melange le langage verbal et le langage visuel à tel point qu´on ne peut pas afirmer une classification appuyée sur les genres traditionnels. Aprés une curte presentation des chemins et des points polémiques de cette esthétique, on analyse comme exemple deux compositions sorties de le grand réseau de communication de l´Art Postal qui est né les années soixante et survit aujourd´hui avec intensité. L´Art Postal a une structure fondé sur la simultanéité de l´information que ressamble à la forme de la poésie visuel. Cettes compositions contemporaines sont confrontées à la tradition du poème visuel qui commence peut-être à l´époque des premiers écrits de hiéroglyphe. Elles sont analysées, donc, dans son originalité. A partir des analyses realisées dans le but de révéler les significations, on arrive à la question proposé par Wilcon Joia Pereira : la nécessité de se comprendre d´une façon nouvelle les expériences esthétiques oú les mots deviennent des images

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A presente monografia tem a finalidade de refletir como a imagem poética é construída na poesia concreta de Augusto de Campos. Para isso, será utilizada a teoria de alguns estudiosos, como Alfredo Bosi, Octavio Paz, Philadelpho Menezes, Aguillar, entre outros, para embasar a reflexão sobre a imagem poética que se desenha a partir da leitura da poesia por meio das palavras que compõem a produção artística. Há uma ênfase, durante a análise das poesias, nas palavras que as constituem, pois elas formam um elemento fundamental para a criação da imagem poética na produção da poesia concretista. O trabalho também reflete sobre a repercussão do movimento Concretista em décadas distintas (50,70 e 90) e em diferentes vertentes, como na música, nos âmbitos nacional e internacional, ressaltando a importância do Concretista para o enriquecimento da poesia, especialmente as compostas por Augusto de Campos. Também será mencionada a diferença entre a poesia visual e a poesia concreta. Para isso, serão explicitadas as suas peculiaridades e as suas propostas

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This study aims to investigate the manifestation of the tellurism in the book Tratado Geral das Grandezas do Ínfimo (2001), written by the contemporary poet Manoel de Barros. Our intention is to examine how the poet works with this aspect in his poetry and how he uses it in his poetic conception. This research was motivated by his earth language which internalizes the man and the earth cultural elements, it´s how if the poet scratches it to find his roots and to create his poetic language, the mato-grossense poet moves the earth in search of the uselessness and he also does it in search of supposed uselessness of expression. His poetic universe, his “swamp”, seems to have no limits, its elements move in complete freedom, things, beings and words that once seemed not to communicate themselves, meet and mix like an alchemical process, this is his poetry origin

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In many movies of scientific fiction, machines were capable of speaking with humans. However mankind is still far away of getting those types of machines, like the famous character C3PO of Star Wars. During the last six decades the automatic speech recognition systems have been the target of many studies. Throughout these years many technics were developed to be used in applications of both software and hardware. There are many types of automatic speech recognition system, among which the one used in this work were the isolated word and independent of the speaker system, using Hidden Markov Models as the recognition system. The goals of this work is to project and synthesize the first two steps of the speech recognition system, the steps are: the speech signal acquisition and the pre-processing of the signal. Both steps were developed in a reprogrammable component named FPGA, using the VHDL hardware description language, owing to the high performance of this component and the flexibility of the language. In this work it is presented all the theory of digital signal processing, as Fast Fourier Transforms and digital filters and also all the theory of speech recognition using Hidden Markov Models and LPC processor. It is also presented all the results obtained for each one of the blocks synthesized e verified in hardware

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This study aimed to investigate the childhood from the entrance of the child in the primary education, with specific objective of analysis the discussions about the appropriateness of content and pedagogical practices to the specific characteristics of students. The research context is the period of expansion for nine years that Brazilian primary education is experiencing which allows the entrance of six years old children. For this achievement we choose theoretical and empirical research, in a primary 2nd grade classroom of a public school, with a methodological approach that enabled the understanding of characteristics which belongs the researched reality through observation that could verify this mentioned reality as well as interviews that could reflect the children conception. Among the main results we can highlight: 1) There is a rupture between kindergarten and primary teaching, the kids have noticed and reported the structural and environment differences, they feel lack of proper spaces for play and of resources like: playground, sandbox and toys in general. 2) The childhood of researched kids appears as a life period different from the adult life, playing appears as a characteristic of that moment. 3) The importance of ponder the pedagogical practices aimed at this ages, so that we can consider the play as an ally in this process, allowing that the kids have more possibilities in the learning process

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This project is comprised by an interactive mobile robotics’ environment, focused in human-robot interaction. The system was developed to work in a smartphone, with Android operating system, embedded in a small size mobile robot. Information provided by the smartphone’s camera and microp hone, as well as by proximity sensors embedded in the robot, is used as inputs of a control architecture, implemented in software. It is a behavior-based and receptive to human commands control architecture, to assist the robot’s navigation. The robot is controlled by its own behaviors or by commands em it ted by humans

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A partir de uma seleção de dezesseis poemas metalinguísticos dos livros Liturgia da Matéria (1982), Mínima Lírica (1989), Trovar Claro (1997), Macau (2003), Tarde (2007) e Formas do Nada (2012) pretendeu-se chegar ao que se chama aqui de A Poética de Paulo Henriques Britto. Tal poética compreende as características e temas mais frequentes em sua poesia, bem como quais recursos expressivos são mais evidentes em cada um dos livros. Paulo Henriques Britto, tradutor, professor e escritor com sete livros publicados (sendo um deles de contos), lançou seu primeiro livro de poesias, Liturgia da Matéria, em 1982 e vem ganhando destaque no cenário da poesia brasileira contemporânea. Em 2004 ganhou um dos maiores prêmios literários do Brasil, o Prêmio Portugal Telecom, com o livro Macau lançado em 2003. Pretende-se que o estudo aqui feito acerca da poesia de Britto não fique restrito a si, mas que traga contribuições para a crítica da poesia brasileira contemporânea, já que ainda se carece de uma quantidade de material critico relevante, o que muitas vezes dificulta o ensino e a aprendizagem de tal poesia. Assim, a análise da poesia metalinguística de Paulo Henriques Britto pretende descobrir, em parte, quais os novos rumos que a produção de poesia tomou no Brasil. Nosso corpus é composto por dezesseis poemas, sendo eles: “I”, da série “Dez Sonetos Sentimentais”, “III”, da série “Três Lamentos” e “Profissão de Fé” do livro Liturgia da Matéria; “I” e “II”, da série “Minima Poética” do livro Mínima Lírica; “II” e “VII” da série “Sete Estudos para a Mão Esquerda” e “Sonetilho de Verão” do livro Trovar Claro; “II” da série “Fisiologia da Composição” e “Biodiversidade” do livro Macau; “I” e “II” da série “Art Poétique” e “5” da série “Crepuscular” do livro Tarde e “I” e “III” da série “Oficina” e o poema “Pós” do ...

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This work aims to locate Adélia Prado’s poetry in the scenery of the contemporary Brazilian literature in order to comprehend some issues that are part of the manner how the poet constructs her poems and which may elucidate, through the lyric speaker, the relation of her poetry with the historical and cultural moment in which her work is placed. In this sense, the purpose of this study is to analyze Adélia Prado’s poetic construction by emphasizing the female voice of her lyric speaker and the superposition of elements from the semantic fields of the prosaic and the sublime, since we have identified these aspects as basic ones for the development of an interpretation on this poetry. This way, we have tried to comprehend the connection that the poet establishes between the material and the spiritual, the erotic and the religious, the immanent and the transcendent and we have concluded that, for the poet, everything can be subject to poetry. For this work, we used the volume Poesia reunida (1995) for it provides a wider view over Adélia Prado’s poetry

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The inclusive classroom, focused on individual differences, it is becoming more frequent and constant within mainstream schools. For this practice to be successful, there must be a different work by teachers, methodology, teaching procedures, adapted equipment and materials. Thus, the teacher who works directly with students with disabilities, find factors that facilitate and hinder this practice, making it essential to study of such factors, so we can understand and contribute to assessment and implementation of strategies to minimize the need that this pedagogical practice imposes. This varying needs, from the simple as using different materials to work in the classroom to the broader and more complex, as the reform in schools. Thus, these aimed to survey and analyze the conceptions of teachers on facilitating and hindering aspects of the schooling of students with disabilities in the regular classroom as well as check their training needs. The method used was ruled a quantitative approach to data collection was through a closed questionnaire containing 35 questions with Likert scale. The study included 904 teachers who underwent a course of Improvement in Inclusive Educational Practices, the same was applied when students entered the course, but had not had contact with the course content. The result showed that most teachers agree that all students with disabilities have behavior problem, dividing the assertion that the disabled student disrupts the class of the colleague who has a disability. It is also believed that in the view of most participants, students with disabilities are not able to study and that the inclusion of students with disabilities is hampered by...

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Pós-graduação em Artes - IA

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In this article, we examine the landscape “locus” by reading a poem in prose of Julien Gracq’s collection “Liberté grande”. Our aim is to understand how the poet uses rhetorical strategies in order to recreate or create – by means of the verb, the space around him. The term “rhetorical strategy” is used here in its broadest sense, and relates to devices that the poet uses to give iconic visibility to the space described, exploring the landscape through language and in this way unraveling a bit of  the poetic form of the world

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This paper presents the development of a scientific investigation that addresses the Latin text using theoretical concepts of Linguistic, Literary Poetic and Semiotic in order to focus mainly on aspects of the figurative expression. Therefore, the meaning effects raised by the perception through the reading of text were taken as baseline data to investigate the particular arrangement of language, responsible for expression of these effects. As a result of this investigation, a metalinguistic discourse was produced about the basic features of the poetic figurativity of the text. This analysis and description had a focus mainly on the first step of the procedures of figurativization, i.e., the figuration of the discourse, when a theme is coated by semiotic figures. In addition, reference notes were drafted to accompany the selected translation of support, with general comments about the culture (mythology, history, geography, philosophy, etc.), necessary data to an more comprehensive understanding of the text (these notes shall provide basic subsidies for reading the original Latin)

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The modernist poet Emílio Moura (1902-1971) incorporates a strictly modern language regarding the imagistic suggesting a mainly poetry metalinguistic. That way, from the works Canto da hora amarga (1932) and Cancioneiro (1944) we attest, through the poetic analysis, that modernity Moura’s poetry takes place in confluences with ideas ranging from biblical tradition and come to the depersonalization of the modern I and questing. We objectify, therefore, demonstrate and explore the metalinguistic and intertextual character that results in the personification of poetry, as clarified muse. To achieve this, this same poetry undergoes a dualistic and pessimistic sentiment, baroque, the I that is divided into life and death, light and shadow; goes through a romantic feeling of anguish and desolation and reaches the multiplicity of the poetic speaker, which promotes a constant struggle with the language. More than draw a correlation between classical and modern ideas (in the sense that the poet creates depersonalization and appropriates of free, short prose or verse, typical of modernism), intend to supply, at least in part, the dearth of studies on the miner poet who has found fertile ground to question and analyze internally the role of poetry in the multiplicity of man and modern society to therefore conclude that universalism the Emílio Moura becomes distinctive and mature. Thus, we will check how poetic inflows corroborate both works for reevaluation and critical insertion of poetic the Emílio Moura in the context of modern/Modernist Brazilian literature

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Pós-graduação em Letras - FCLAS