94 resultados para distinctness of image


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Since photographic document always bears the marks of a given universe imagined, subject to fi ctionality inherent in all assemblies plot as an act, the purpose of this article is to analyze the photographs archival materials disclosed in remembrance of the Brazilian military dictatorship in the magazine Veja, published in the decennial anniversaries of the 1964 coup, from the methodological assumptions of the rhetoric of image. If, in some cases, archival photographs reinforced the argument of the report, in others, they created a parallel narrative, framing the present through an interpreted past.

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This text reflects on the techniques and the process of image production and its artistic composition to digital television in high defini- tion, whereas the 4:3 and 16:9 formats will exist until shutdown of the analog signal. Within this period, consumers of television programming that have analog receivers will continue to see the images in 4:3 format. That fact determines that the productions in high definition, while capturing images with larger viewing area and have high contrast ratio (>1000:1) must be main- tain the elements of visual storytelling within the smallest area and with the contrast ratio of the analog tv (30:1), at the risk of distorting visually the messages produced by the directors.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Agronomia (Energia na Agricultura) - FCA