111 resultados para António Sérgio


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Eight Mesoproterozoic granite suites are recognized in the Rondônia Tin Province, called Serra da Providência Intrusive Suite (1606-1532 Ma), Rio Crespo Intrusive Suite (1500 Ma), St. Anthony Intrusive Suite (1406 Ma), Teotonio Intrusive Suite (1387 Ma ), Santa Clara Intrusive Suite (1082-1074 Ma) and Younger Granites of Rondônia Intrusive Suite (998-974 Ma), represent successive magmatic type A (anorogenic) and the intra-plate basement rocks intruded in the metamorphic complex named Jamari separated into two distinct lithologic associations, a ortogneiss (U-Pb from 1.76 to 1.73 Ga) and a paragneiss (1675 + / - 12 Ma). Tin mineralization are widely found in the Tin Province and are associated with granitic intrusions known Mesoproterozoic more closely with the last two magmatic events, represented by the Santa Clara and Younger Granites of Rondônia. The tin mineralization are of primary and secondary, with the primary form deposits of different structural styles and is presented in the form of endo-or exogreisens, veins, stockworks and pegmatites. The secondary mineralization are related to natural processes of weathering and erosion of primary rocks, leading to placer deposits classified as colluvial, eluvial and colluvial-alluvial. The Target Alvo Sol Nascente is located in the central-eastern Rondônia Tin Province and has basement rocks of the metamorphic-magmatic region represented by Jamari Complex intrusive suites and Sierra Providence and Rio Crespo. The last tectonic event spa in the area was responsible for the intrusion of Younger Granites of Rondônia (São Carlos and Caripuanã Massifis). The anomalous levels of tin, sufficient to operate (Mina Rising Sun), indicate that there was possibly mineralization event, evidenced by pegmatite veins well defined, easily found relatively close to mine. Plaque deposits associated with Quaternary sedimentary sequences can also be observed

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Pós-graduação em Ciências Sociais - FFC

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This work consists of a semiotic analysis of the animation motion picture The Lion King (1994), by the Walt Disney Animation Studios, describing its intertextual relation with Hamlet, by Shakespeare, considering Disney’s individuality, its style. In order to study style in texts, we use discursive semiotics theory, highlighting Discini’s work (2013) and the concept of discursive settings. Hence, a deep discussion about The Lion King’s style, compared to the Shakespeare’s play, is established. The movie, once a syncretic text, requires advanced studies on Expression Plane, its plastic, musical and verbal/phonic aspects. We find these studies in the work of José Luiz Fiorin (2009), Lúcia Teixeira (2009), Ana Claúdia de Oliveira (2009), Jean-Marie Floch (2009) and Antônio Vicente Pietroforte (2008). We note how a syncretic text makes the discursive settings more complex by assembling plastic and sonorous materials in semissimbolic relation. Once defined The Lion King’s style, we analyze the way it justifies the intense popularity of this kind of animation features. Finally, it is important to understand how Disney uses in its style not only discursive settings, but also passional settings, revealing its own way to stir emotions on the spectator

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Pós-graduação em Letras - FCLAS

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Pós-graduação em História - FCHS

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Pós-graduação em Estudos Literários - FCLAR

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Este trabalho teve como propósito central analisar as relações entre o jornalismo e a literatura em Malhação do Judas Carioca (1975), de autoria João Antônio. A obra em análise mostrou ter sido estabelecida sob os auspícios da forma do conto-reportagem, com um regime de diálogo que ora se fixa na matriz jornalística, que ora se fixa no plano mais literário e ficcional. Para atingir tais objetivos, percorremos diversas etapas ao longo do desenvolvimento e elaboração do trabalho. Após delimitarmos conceitualmente as categorias de conto e reportagem e, assim, situarmos o lugar de João Antônio na imprensa e na literatura dos anos 1970, partiu-se, na segunda etapa da pesquisa, para a análise da obra Malhação. Este trabalho, fruto de pesquisa de iniciação científica para FAPESP, procurou se situar numa lacuna de estudos existente nos estudos de jornalismo autoral, dando especial ênfase à relação de João Antônio com o mundo jornalístico

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This paper deals with characteristically anti-authoritarian aspects of Antônio Carlos de Brito’s work, alias Cacaso (1944-1987). It aims to provide evidence on his peculiar poetry writing exercise, which incorporates political and aesthetic tensions into its own language, rather than just refer to them. By anchoring in a poetics of everyday life and by being engaged in a dialogue with Brazilian literary tradition, Cacaso manages image, tone and emotion in order to instantly illuminate the impasses of his generation.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)